Batman & Robin (Two-Disc Special Edition)

• Actors: Arnold Schwarzenegger, George Clooney, Chris O'Donnell, Uma Thurman, Alicia Silverstone.
• Format: AC-3, Closed-captioned, Color, Dolby, DTS Surround Sound, Dubbed, DVD, Full Screen, Special Edition, Subtitled, Widescreen, NTSC.
• Language: English (Dolby Digital 5.1), English (DTS 5.1), French (Dolby Digital 5.1). Subtitles: English, Spanish, French.
• Region: Region 1 (U.S. and Canada only).
• Rated PG-13. Run Time: 125 minutes.

New from the award-winning team behind ALL-STAR SUPERMAN!

Grant Morrison and Frank Quitely, the creative team of ALL-STAR SUPERMAN, reunite to tell the adventures of the all-new Batman and Robin.

The new Dynamic Duo hits the streets with a bang in their new fl ying Batmobile to face an assemblage of villains called the Circus of Strange. They also tackle their first mission investigating a child who’s been abducted by the my! sterious Domino Killer. But will everything go smoothly? And who exactly are the new Batman and Robin? The newest era of The Dark Knight begins here!

George Clooney plays the Dark Knight, facing his deadliest threat yet: cold-hearted Mr. Freeze (Arnold Schwarzenegger) and venemous Poison Ivy (Uma Thurman). Batman has more than Gotham City to protect: the youthful eagerness of crimefighting comrades Robin (Chris O'Donnell) and Batgirl (Alicia Silverstone) puts them frequently in harm's way. New very special effecst include a wild sky-surfing sequence and Mr. Freeze's outrageous arsenal of ice-blasting weapons. Joel Schumacher directs.

DVD Features:
Audio Commentary:Commentary by Joel Schumacher
Documentaries:Shadows of the Bat: The Cinematic Saga of Batman, Pt. 6 Beyong Batman Documentary Gallery
Featurette:Heroes and Villains Profiles
Music Video:The End is the Beginning is the End by the Smashing Pumpkins Foolish Games b! y Jewel Gotham City by R. Kelly Look into My Eyes by Bone THug! s-N-Harm ony

Batman
Thanks to the ambitious vision of director Tim Burton, the blockbuster hit of 1989 delivers the goods despite an occasionally spotty script, giving the caped crusader a thorough overhaul in keeping with the crime fighter's evolution in DC Comics. Michael Keaton strikes just the right mood as the brooding "Dark Knight" of Gotham City; Kim Basinger plays Gotham's intrepid reporter Vicki Vale; and Jack Nicholson goes wild as the maniacal and scene-stealing Joker, who plots a takeover of the city with his lethal Smilex gas. Triumphant Oscar-winning production design by the late Anton Furst turns Batman into a visual feast, and Burton brilliantly establishes a darkly mythic approach to Batman's legacy. Danny Elfman's now-classic score propels the action with bold, muscular verve. --Jeff Shannon

Batman Returns
Tim Burton's sequel to his phenomenally successful 1989 "Batman" doesn't try to top the first pi! cture, either with splashier special effects or with loftier pretensions to significance; nor does it simply go through the motions, repeating the surefire stuff with a self-satisfied air of professionalism. It's a blend of playful novelty and reassuring familiarity-a difficult mixture to get right. This time, the hero (again Michael Keaton) does battle with a greedy businessman named Max Shreck (Christopher Walken) and the roly-poly arch-criminal known as the Penguin (Danny DeVito). And whenever Batman ventures out on one of his nocturnal crime-fighting missions, he runs into a mysterious woman who dresses like a cat and carries a whip. The hilariously twisted relationship between the hero and the Catwoman (Michelle Pfeiffer) plays like an apache dance in animal costumes, and it's the glory of the movie. The cat clothes seem to release something strange and wild in Pfeiffer: her performance is ferociously sexy and uninhibitedly, over-the-top funny. As in the first movie, B! urton gives the material a luxurious masked-ball quality and a! sly con temporary wit without violating the myth's low, cheesy comic-book origins. He's an artist who's comfortable with both the higher aspirations and the lower instincts of his nature as an entertainer: he and Batman are an ideal match.

Batman Forever
When Tim Burton and Michael Keaton announced that they'd had enough of the Batman franchise, director Joel Schumacher stepped in (with Burton as coproducer) to make this action-packed extravaganza starring Val Kilmer as the caped crusader. Batman is up against two of Gotham City's most colorful criminals, the Riddler (a role tailor-made for funnyman Jim Carrey) and the diabolical Two-Face (Tommy Lee Jones), who join forces to conquer Gotham's population with a brain-draining device. Nicole Kidman plays the seductive psychologist who wants to know what makes Batman tick. Boasting a redesigned Batmobile and plenty of new Bat hardware, Batman Forever also introduces Robin the Boy Wonder (Chris O! 'Donnell) whose close alliance with Batman led more than a few critics to ponder the series' homoerotic subtext. No matter how you interpret it, Schumacher's take on the Batman legacy is simultaneously amusing, lavishly epic, and prone to chronic sensory overload. --Jeff Shannon

Batman & Robin
Following Val Kilmer's portrayal of the caped crusader in Batman Forever, the fourth Batman feature stars George Clooney under the pointy-eared cowl, with Chris O'Donnell returning as Robin the Boy Wonder. This time the dynamic duo is up against the nefarious Mr. Freeze (Arnold Schwarzenegger), who is bent on turning the world into an iceberg, and the slyly seductive but highly toxic Poison Ivy (Uma Thurman), who wants to eliminate all animal life and turn the Earth into a gigantic greenhouse. Alicia Silverstone lends a hand as Batgirl, and Elle McPherson plays the thankless role of Batman/Bruce Wayne's fiancée. A sensory assault! of dazzling colors, senseless action, and lavish sets run amo! k, this Batman & Robin offers an overdose of eye candy, but it is strictly for devoted Bat-o-philes. --Jeff Shannon

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Fast Cheap and Out of Control Air Freshener

• Brand New Air Freshener from Blue Q
• Perfect to hang from your rearview mirror in your car
• Could also be used for your closet, cabinets, etc to keep things smelling fresh.
• Air Fresheners ship in an attractive gift sleeve
• This Air Freshener gives off a Classic Fresh Daisy Scent

Acclaimed filmmaker Errol Morris paints a fascinating portrait of four obsessed eccentrics in "Fast, Cheap and Out of Control." Morris weaves interviews with a wild animal trainer, a topiary gardener, a robot designer and an expert on the naked mole rat tGeorge, Dave, Ray, and Rodney. Not a singing group, but four real-life individuals dedicated to controlling the entities that don't take kindly to their efforts. George Mendonca is a topiary gardener who spends his time taming tendrils of plant life into animal shapes. Why? Because he can, and apparently it's no easy job. One slip of the c! lipper and a green and leafy body part can go bye-bye for years. Dave Hoover takes on big cats under the big top. An admirer of the famous lion tamer, Clyde Beatty, Dave comes out of the lion ring covered with sweat. Not from working hard, but from hand-trembling fear. Ray Mendez, a mole-rat expert, waxes eloquently about the social structure of these sightless, hairless natural wonders who wear their teeth on the outside of their lips. But if you want to see a real wacko at work, watch Rodney Brooks, a robotics expert who is convinced our extinction will be the first step in a takeover of tin men.

In Fast, Cheap & Out of Control, documentarian Errol Morris proves that the weird and obscure are just as interesting as the rich and famous. Morris tries to add depth to his subjects with his out-of-control editing technique, which after a while becomes an annoying distraction; these guys are fascinating enough all by themselves. The blare of the background music is a! lso a bit much. Despite these shortcomings, though, if you lik! e taking a voyeuristic peek into other people's lives, Fast, Cheap & Out of Control gives you plenty to look at. --Luanne BrownGeorge, Dave, Ray, and Rodney. Not a singing group, but four real-life individuals dedicated to controlling the entities that don't take kindly to their efforts. George Mendonca is a topiary gardener who spends his time taming tendrils of plant life into animal shapes. Why? Because he can, and apparently it's no easy job. One slip of the clipper and a green and leafy body part can go bye-bye for years. Dave Hoover takes on big cats under the big top. An admirer of the famous lion tamer, Clyde Beatty, Dave comes out of the lion ring covered with sweat. Not from working hard, but from hand-trembling fear. Ray Mendez, a mole-rat expert, waxes eloquently about the social structure of these sightless, hairless natural wonders who wear their teeth on the outside of their lips. But if you want to see a real wacko at work, watch Rodney Brooks, a roboti! cs expert who is convinced our extinction will be the first step in a takeover of tin men.

In Fast, Cheap & Out of Control, documentarian Errol Morris proves that the weird and obscure are just as interesting as the rich and famous. Morris tries to add depth to his subjects with his out-of-control editing technique, which after a while becomes an annoying distraction; these guys are fascinating enough all by themselves. The blare of the background music is also a bit much. Despite these shortcomings, though, if you like taking a voyeuristic peek into other people's lives, Fast, Cheap & Out of Control gives you plenty to look at. --Luanne BrownFast, cheap, and Out of Control Air Freshener from Blue Q.

Air Freshener gives off a Classic Fresh Daisy scent.

This 3 " x 4" hanging air freshener is the perfect protection to keep your car smelling fresh.

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Hoodwinked (Widescreen Edition)

• Condition: New
• Format: DVD
• Animated; Closed-captioned; Color; Dolby; DVD; Widescreen; NTSC

So you think you know the story of Little Red Riding Hood. Don’t be too sure. . . . One of your favorite fairy tales is turned upside-down and inside-out in what the L.A. Times called "high-energy, imaginative entertainment." With irreverent storytelling, spunk and wit, Hoodwinked delivers a comedy caper for the young, the young at heart and everyone in between. When the police arrive at Granny’s cottage in the woods to answer a domestic disturbance call, it looks like just another open-and-shut case. But Red, Granny, the Big Bad Wolf and the Woodsman are not your usual suspects, as they have their own dark secrets, wily deceptions and conflicting accounts of the crime. Together, they must put aside their differences and find their own original twist on Happily Ever After in ! this "raucous, genre-busting, animated gem (Entertainment Weekly, The Must List)."Hoodwinked fuses the classic fairy tale of Little Red Riding Hood with the crisscrossing storylines of film noir--pretty ambitious stuff for a computer-animated cartoon. The police cordon off Grandma's cottage and an amphibious version of William Powell named Nicky Flippers (voiced by David Ogden Stiers, M*A*S*H) begins interrogating the suspects: A Little Red in bell-bottoms (Anne Hathaway, Ella Enchanted), a Wolf turned investigative journalist (Patrick Warburton, The Woman Chaser), a snow-boarding Granny (Glenn Close, 101 Dalmatians), and a dimwitted would-be Woodsman (Jim Belushi, Curly Sue), each of whom have very different reasons for ending up in that cottage living room. The visual style of Hoodwinked mixes a clunky, video-game look with an homage to the stop-motion puppetry of Rudolph the Red-Nosed Reindeer and othe! r Rankin-Bass holiday specials. While sometimes awkward, there! are als o moments of surreal beauty, such as when a depressed Red wanders through a field of blue and red flowers--and moments of lunatic comedy, such as the Schnitzel song, which is irresistibly bizarre. The Shrek-style pop-culture references grow annoying, but the left-field goofiness of a yodeling goat points toward a far more distinct and delightful comic world. Also featuring the voices of Anthony Anderson (Kangaroo Jack), rapper Xzibit, and an especially witty turn by Andy Dick (NewsRadio) as a deceptively cute bunny rabbit. --Bret Fetzer

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The Shepherd Trilogy: A Shepherd Looks at the 23rd Psalm / A Shepherd Looks at the Good Shepherd / A Shepherd Looks at the Lamb of God

• ISBN13: 9780551030701
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

This omnibus edition brings together Phillip Keller's three devotional classics, A Shepherd Looks and the 23rd Psalm, A Shepherd Looks at the Good Shepherd, and A Shepherd Looks at the Lamb of God. As a shepherd, Phillip Keller knew what it was to protect a vulnerable flock on a daily basis. The special skills of a shepherd demanded compassion, care, and guidance. His practical experience provides a wellspring of profound spiritual insight, reflected in these timeless meditations on the most famous psalm of all, on the relationship between the Good Shepherd and his sheep, and on the sacrificial role of Christ the Lamb of God.

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Carancho Movie Poster (11 x 17 Inches - 28cm x 44cm) (2010) Spanish Style B -(Ricardo Darin)(Martina Gusman)(Carlos Weber)(Jose Luis Arias)(Loren Acuna)

• Carancho Poster Mini Promo (11 x 17 Inches - 28cm x 44cm) Spanish Style B
• The Amazon image is how the poster will look; If you see imperfections they will also be in the poster
• Mini Posters are ideal for customizing small spaces; Same exact image as a full size poster at half the cost
• Size is provided by the manufacturer and may not be exact
• Packaged with care and shipped in sturdy reinforced packing material

Studio: Strand Releasing Release Date: 06/07/2011 Run time: 107 minutesThere is something criminalabout his dreamsProductInformationIn The Auro Espinoza is a taxidermist marked with strange qualities -a photographic memory and random fits of epilepsy.  To escapehis lonely everyday life he spends hi time lost in fantasy about theperfect heist.  When a fatal hunting accident presents agolden opportunity he takes the chance to put his plot into action.But! living in a world of real violence might bring a lethal dose ofreality to Espinoza - and the beautiful young woman he's brought intohis plan.  Now he must decide if criminal perfection is worththe ultimate price.Product Features The Making of "The Aura" Behind-the-Scenes: A Musical Montage Theatrical TrailerSpecificationsSpecifications: Stars:  Ricardo Dar?n ManuelRodal Dolores Fonzi Format:  Color DVD-VideoWidescreen Language:  Spanish Subtitles:  English Spanish Number of Discs: 1 Rating:  Not Rated Run Time:  138 minutes Directed By:  Fabian BielinskyThe Aura will go down in history as a great film with a tragic loss attached to it. This totally original and deeply involving thriller was the second and final feature film by Fabián Bielinsky, a gifted Argentinian writer-director whose debut feature, Nine Queens, earned global acclaim and introduced Bielinsky as a talent to watch. Sadly, Bielinsky died of a sudden heart attack in June 2006, at age 4! 7, and we'll never know what other great films he might have m! ade. The Aura stands as testament to Bielinsky's masterful skill, on full display in this riveting study of a sad and lonely taxidermist named Espinosa (played by Ricardo Darín, who was also in Nine Queens) who compensates for his disappointing life by imagining elaborate crimes that he's planned to perfection. When a hunting accident results in the death of a criminal mastermind who'd been planning a casino heist, the taxidermist (who possesses a photographic memory and suffers from occasional blackouts caused by epileptic seizures) assumes the dead man's role, improvising his way through the crime-plot with untrustworthy partners and the constant threat of danger.

The film's title refers to the semi-conscious fugue state that precedes the taxidermist's epileptic seizures, inducing a sense of disorientation and dread that Bielinsky uses to deepen the film's psychological impact. Darín's dour, worried expression is a fascinating focal point for his character's un! predictable journey into the heart of darkness, and The Aura's primary setting, in the thick forest of Patagonia, is a perfect complement to the film's ominous atmosphere and deliberately paced intrigue. As far-fetched as it may seem at times, the plot's heightened reality remains utterly convincing, and Bielinsky demonstrates an uncanny knack for escalating suspense in quietly intense situations. From start to finish, The Aura is clearly the work of a filmmaker with seemingly limitless potential, and we can only wonder about the excellent films Bielinsky would have made had he lived. Unfortunately, two slight DVD extras on The Aura give us no insight into Bielinsky's too-short career: the "making of" featurette is very brief and consists primarily of an interview with Ricardo Darín, and the behind-the-scenes musical montage is an equally short and perfunctory assembly of production video set to the moody, electronic tones of Lucio Godoy's subtly effec! tive score. --Jeff ShannonAcademy Award® nominee Javie! r Bardem is Uxbal, a man on the wrong side of the law who struggles to provide for his children on the dangerous streets of Barcelona. As fate encircles him, Uxbal learns to accept the realities of life, whether bright, bad â€" or biutiful â€" in this unforgettable Academy Award®-nominated film from director Alejandro González Iñárritu (Amores Perros, 21 Grams and Babel).A heartbreakingly direct performance by Javier Bardem anchors Biutiful, a film from Mexican auteur Alejandro González Iñárritu (Babel, 21 Grams). Uxbal (Bardem) is not an admirable man: he's a criminal middleman, helping human traffickers and illicit street peddlers in Barcelona. But in the thick of his corrupt and compromised world, Uxbal strives to do some modest good: he demands heaters for the cold basement where illegal Chinese laborers sleep and he carefully scrapes together money for his children, whom he deeply adores. On top of all this, Uxbal can commune wit! h the recently dead, and tries to pass on reassurance to the bereaved. When Uxbal himself is diagnosed with severe cancer, he desperately tries to leave behind something better for his children. This plot summary paints a bleak picture, and there's no question this is--much like Iñárritu's other films, including Amores Perros--an emotionally harrowing experience. But Biutiful is also visually rich and deeply humane, and holds moments of grace that can only be found in sadness and loss. The entire cast brings a fullness of life to all of the characters, no matter how briefly they appear, but Bardem almost never leaves the screen and carries the movie with magnetic force. --Bret FetzerA mans affair with his familys housemaid leads to a dark consequences. Studio: Mpi Home Video Release Date: 06/07/2011 Starring: Do-yeon Jeon Seo-hyeon Ahn Run time: 106 minutes Rating: Nr Director: Sang-soo Im Im Sang-sooCarancho Carancho Director: Pablo Trapero. Actores: Ricardo Darin, Martina Gusman, Carlos Weber, José Luis Arias, Loren Acuña, Gabriel Almirón. Música: Género: Drama, Thriller. Año: 2010. Duración: 107 min. Nacionalidad: Argentina, Chile, Francia, Corea del Sur. Calificación: NRM 16 años Imagen: Color - PAL - Widescreen 2.35:1 - 16:9. Audio: Español (Dolby Digital 5.1). Subtitulos: No Dispone. Región: 2. Edición: Normal Discos: 1 Distribuidora: Cameo MediaCarancho Poster (11 x 17 Inches - 28cm x 44cm) (2010) Spanish Style B reproduction poster print

CAST: Ricardo Darin, Martina Gusman, Carlos Weber, Jose Luis Arias, Loren Acuna; DIRECTED BY: Pablo Trapero; PRODUCER: Pablo Trapero;

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Rand McNally Are We There Yet? (Backseat Books)

• 64 Pages
• Includes journal for trip tracking
• Answer key included

Studio: Sony Pictures Home Ent Release Date: 03/20/2007 Run time: 95 minutes Rating: PgJoin Grace and her family as they hit the road camping, experiencing, and meeting all the people and places that make up Australia.A dealer in sports collectibles falls for a beautiful executive only to discover that to win her, he must win the affection of her two young children who are determined to keep their mother single.
Genre: Feature Film Family
Rating: PG
Release Date: 8-SEP-2006
Media Type: DVDSummary:
0

About the Author:

•0
Author: Karen^Rand McNally Richards
Illustrator: Steven Mach
Publisher:Rand McNally & Company
Published Date:04/01/2003
Format:Paperback
ISBN:0528965433
#of pages:#N/A

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The Women

• TESTED

Three sisters bond over their ambivalence toward the approaching death of their curmudgeonly father, to whom none of them was particularly close.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 23-MAR-2004
Media Type: DVDYou've got to admire a movie that embraces womanhood as so few mainstream movies do, and Hanging Up deserves credit for combining issues of sisterhood and elderly parent care while relying on neuroses to carry its unconventional plot. But you've also got to lament this botched "dramedy" from screenwriting sisters Nora and Delia Ephron (adapting the latter's novel) and director Diane Keaton, who lack a coherent plan for illuminating their trio of female siblings. Despite a sharp focus on Meg Ryan as the middle sister Eve--a capable Los Angeles event planner--the movie never quite seems to know where it's going, and ! you feel like the best scenes are merely happy accidents. In exploring the foibles of family, Keaton fared better with her earlier film Unstrung Heroes.

In addition to directing, Keaton plays the eldest sister Georgia, a celebrity magazine editor, and Lisa Kudrow is kid sister Maddy, a soap-opera actress who's nearly as self-absorbed as Georgia. They leave it to Eve to care for their declining father (Walter Matthau), a retired screenwriter who slips in and out of lucidity and is, at best, a cantankerous curmudgeon whose estranged wife (Cloris Leachman) has long since severed all family ties. This is potent material--at least it could have been--and Ryan admirably struggles to hold the film together. But it's ultimately a losing battle as the movie, so full of cell phones and disconnected people (hence the title), becomes disconnected itself, offering hollow humor and a few memorable moments with characters whose problems are too minimal to worry about. --Jeff ! ShannonYou've got to admire a movie that embraces womanhoo! d as so few mainstream movies do, and Hanging Up deserves credit for combining issues of sisterhood and elderly parent care while relying on neuroses to carry its unconventional plot. But you've also got to lament this botched "dramedy" from screenwriting sisters Nora and Delia Ephron (adapting the latter's novel) and director Diane Keaton, who lack a coherent plan for illuminating their trio of female siblings. Despite a sharp focus on Meg Ryan as the middle sister Eve--a capable Los Angeles event planner--the movie never quite seems to know where it's going, and you feel like the best scenes are merely happy accidents. In exploring the foibles of family, Keaton fared better with her earlier film Unstrung Heroes.

In addition to directing, Keaton plays the eldest sister Georgia, a celebrity magazine editor, and Lisa Kudrow is kid sister Maddy, a soap-opera actress who's nearly as self-absorbed as Georgia. They leave it to Eve to care for their declining father (Wa! lter Matthau), a retired screenwriter who slips in and out of lucidity and is, at best, a cantankerous curmudgeon whose estranged wife (Cloris Leachman) has long since severed all family ties. This is potent material--at least it could have been--and Ryan admirably struggles to hold the film together. But it's ultimately a losing battle as the movie, so full of cell phones and disconnected people (hence the title), becomes disconnected itself, offering hollow humor and a few memorable moments with characters whose problems are too minimal to worry about. --Jeff Shannon"HILARIOUS. . . A CHARMING, ENTERTAINING READ."
--Los Angeles Times
"WONDERFUL. . . Eve Mozell is having a lousy day, and she hasn't even gotten past breakfast yet. Her father, a senile ex-alcoholic whose idea of a good joke is goosing his woman doctor, started phoning Eve at 6 a.m. Her teenage son, who alternately ignores and lectures her, is off to a séance. ('You know, Mom, all doors are entra! nces. Think about it.') And a quick glance in the mirror turns! out to be a big mistake. Oh, God, is that my face? . . . I need a vacation. No. This is just me. Me at forty-four. . . . What a terrific debut."
--Newsweek
"TRUE AND TOUCHING."
--People
"Delia Ephron is blessed with the driest of wits, the tenderest of hearts, and an uncanny ear for the way people really talk. Do yourself a favor and curl up with Hanging Up--but unplug the phone first."
--Armistead Maupin
"MOVING AND FUNNY. . . In some ways, Hanging Up is a funhouse version of King Lear."
--Newsday


From the Trade Paperback edition.Mothers, daughters, wives, friends: These are the women of The Women. Based on Clare Boothe Luce's Broadway success and the hit 1939 movie, this sparkling update (from Murphy Brown creator Diane English) set in Manhattan and featuring an all-star, all-female cast says a lot about what it means to be today's woman and all of it's funny! The story starts with beautiful, smart, accomplished Mary Haines (Meg Ryan) discov! ering her husband is cheating on her. It's a time when friends are needed, so Mary's gal pals (Annette Bening, Jada Pinkett Smith and Debra Messing) and mother (Candice Bergen) rally round with advice, cocktails and shopping. The Wife vs. the Other Woman (Eva Mendes): Sharpen your claws for a timeless and wonderfully witty battle.For fans of some of America's finest actresses, seeing a film with even one of the cast members of The Women would be a treat. But this remake of George Cukor's famed girl-trouble ensemble film features Meg Ryan, Annette Bening, Jada Pinkett Smith, Eva Mendes, Debra Messing, Cloris Leachman, Bette Midler, Carrie Fisher, Joanna Gleason, and Candice Bergen--whew!--making it a film that fans of these terrifically talented women can savor. The remake may not have the cat-itude or camp factor of the original, but so what? The cast's chemistry really shines; friendship is thicker than water, it turns out--even stronger than the ties that bind wome! n to their men. Ryan is the good-girl Mary Haines, whose husba! nd, she and her friends learn, is cheating on her with the stunning femme fatale Crystal (Mendes, in the Joan Crawford role)--"a spritzer" at the perfume counter. Quelle horreur! The other women rally around the hapless Mary, staging interventions, offering snappy advice, and plotting battles on behalf of their friend. But it turns out that Ryan's Mary isn't quite as fragile as she seems. Gimlets and girl talk--lots of both--go a long way toward getting our heroine through her crisis, and onto a new stage in her life that surprises her husband and more than one of her pals. And the laughs by the appearances of Midler and Bergen, especially, are worth watching the whole film for. --A.T. Hurley

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The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America

• ISBN13: 9780375725609
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Trapped in an elevator high above Philadelphia, five people discover that the Devil is among them â€" and no one can escape their fate. This chilling, supernatural thriller from M. Night Shyamalan (The Sixth Sense, Signs) will keep you on the edge of your seat all the way to a heart-stopping ending with a truly wicked twist.Trapped in an elevator high above Philadelphia, five people discover that the Devil is among them â€" and no one can escape their fate. This chilling, supernatural thriller from M. Night Shyamalan (The Sixth Sense, Signs) will keep you on the edge of your seat all the way to a heart-stopping ending with a truly wicked twist.

Erik Larsonâ€"author of #1 bestseller In the Garden ! of Beastsâ€"intertwines the true tale of the 1893 World's Fair and the cunning serial killer who used the fair to lure his victims to their death. Combining meticulous research with nail-biting storytelling, Erik Larson has crafted a narrative with all the wonder of newly discovered history and the thrills of the best fiction.

Author Erik Larson imbues the incredible events surrounding the 1893 Chicago World's Fair with such drama that readers may find themselves checking the book's categorization to be sure that The Devil in the White City is not, in fact, a highly imaginative novel. Larson tells the stories of two men: Daniel H. Burnham, the architect responsible for the fair's construction, and H.H. Holmes, a serial killer masquerading as a charming doctor. Burnham's challenge was immense. In a short period of time, he was forced to overcome the death of his partner and numerous other obstacles to construct the famous "White City" around which the fair was! built. His efforts to complete the project, and the fair's in! credible success, are skillfully related along with entertaining appearances by such notables as Buffalo Bill Cody, Susan B. Anthony, and Thomas Edison. The activities of the sinister Dr. Holmes, who is believed to be responsible for scores of murders around the time of the fair, are equally remarkable. He devised and erected the World's Fair Hotel, complete with crematorium and gas chamber, near the fairgrounds and used the event as well as his own charismatic personality to lure victims. Combining the stories of an architect and a killer in one book, mostly in alternating chapters, seems like an odd choice but it works. The magical appeal and horrifying dark side of 19th-century Chicago are both revealed through Larson's skillful writing. --John Moe

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