Saturday, November 5, 2011

Ghost in the Shell 2.0 [Blu-ray]

  • GHOST IN THE SHELL 2.0 BLU-RAY (BLU-RAY DISC)
A film that has spawned a thousand imitations but never been bettered â€" Mamoru Oshii’s legendary anime film GHOST IN THE SHELL returns in a stunning new edition remastered by Oshii himself. For this definitive Version 2.0 release, all the original animations are re-produced with latest digital film and animation technologies, including 3D-CGI. Set in a re-imagined Hong Kong at a time when cyberspace is expanding into human reality, the story follows top cyberwarrior Major Motoko Kusanagi as she hovers on the border of total immersion in the digital world.



Fanboys

  • A fanatical group of Star Wars devotees travel across the country on a mission to steal a print of Star Wars: Episode I -- The Phantom Menace from Skywalker Ranch and become the first fans to see the film in a rowdy, sci-fi-flavored road comedy starring Sam Huntington, Chris Marquette, Dan Fogler, Jay Baruchel, and Kristen Bell. Carrie Fisher, William Shatner, and Ray Park turn up for cameos in th
Get ready for the comedy adventure that’s “smart, funny, and tailor-made for the inner-Jedi in all of us” (Pete Hammond, Hollywood.com). In 1998, four childhood buddies with a shared love of all things Star Wars reunite for one final, hilarious odyssey. Their insane plan: a cross-country road trip to storm George Lucas’ Skywalker Ranch and steal a copy of Episode I before it’s released. With the police, a crew of angry Trekkies, and a crazy pimp hot on their trail, what could possibly go w! rong? Featuring Dan Fogler (Balls of Fury), Jay Baruchel (Tropic Thunder), and Kristen Bell (Forgetting Sarah Marshall), plus a slew of hysterical surprise cameos, “the Force IS strong with this one!” (Brian Gallagher, MovieWeb)

Stills from Fanboys (Click for larger image)





!


Low on inspiration and laughs, Fanboys is a movie that should have been made years ago. Christopher Marquette plays Eric, a would-be heir to a used-car dealership and former loser who rejects his high-school buddies' continuing preoccupation with childish things, including George Lucas' Star Wars saga. When his lifelong friend, Linus (Sam Huntington), is diagnosed in 1999 with a terminal illness, however, Eric joins geeky Windows (Jay Baruchel), wildman Hutch (Dan Fogler) and comely Zoe (Kirsten Bell) on a cross-country trip to steal a print of Star Wars: Phantom Menace from Lucas' Skywalker Ranch for Eric to have a look. Along the way, of course, sundry ! disasters and complications await, everything from getting caught in a gay biker bar to a confrontation with a Vegas pimp (Seth Rogen, genuinely funny). The misadventures at Skywalker include a few good moments, especially when the guards look like characters Lucas might have considered for either of the two trilogies. The best comic material concerns hostilities between Star Wars fanatics and Star Trek Trekkers, including a scene set in the Ohio hometown of James Tiberius Kirk. A few good cameos include William Shatner, Carrie Fisher, and Kevin Smith and Jason Mewes. --Tom Keogh

Flags of Our Fathers First Edition In Dust Jacket

  • Flags of Our Fathers
  • [Flags of Our Fathers]
#1 NEW YORK TIMES BESTSELLER

THE TRUE STORY BEHIND THE IMMORTAL PHOTOGRAPH THAT HAS COME TO SYMBOLIZE THE COURAGE AND INDOMITABLE WILL OF AMERICA

In February 1945, American Marines plunged into the surf at Iwo Jimaâ€"and into history. Through a hail of machine-gun and mortar fire that left the beaches strewn with comrades, they battled to the island’s highest peak. And after climbing through a landscape of hell itself, they raised a flag.

Now the son of one of the flagraisers has written a powerful account of six very different young men who came together in a moment that will live forever.

To his family, John Bradley never spoke of the photograph or the war. But after his death at age seventy, his family discovered closed boxes of letters and photos. In Flags of Our Fathers, James Bradley! draws on those documents to retrace the lives of his father and the men of Easy Company. Following these men’s paths to Iwo Jima, James Bradley has written a classic story of the heroic battle for the Pacific’s most crucial islandâ€"an island riddled with Japanese tunnels and 22,000 fanatic defenders who would fight to the last man.

But perhaps the most interesting part of the story is what happened after the victory. The men in the photoâ€"three were killed during the battleâ€"were proclaimed heroes and flown home, to become reluctant symbols. For two of them, the adulation was shattering. Only James Bradley’s father truly survived, displaying no copy of the famous photograph in his home, telling his son only: “The real heroes of Iwo Jima were the guys who didn’t come back.”

Few books ever have captured the complexity and furor of war and its aftermath as well as Flags of Our Fathers. A penetrating, epic look at a generation at war, this i! s history told with keen insight, enormous honesty, and the pa! ssion of a son paying homage to his father. It is the story of the difference between truth and myth, the meaning of being a hero, and the essence of the human experience of war.The Battle of Iwo Jima, fought in the winter of 1945 on a rocky island south of Japan, brought a ferocious slice of hell to earth: in a month's time, more than 22,000 Japanese soldiers would die defending a patch of ground a third the size of Manhattan, while nearly 26,000 Americans fell taking it from them. The battle was a turning point in the war in the Pacific, and it produced one of World War II's enduring images: a photograph of six soldiers raising an American flag on the flank of Mount Suribachi, the island's commanding high point.

One of those young Americans was John Bradley, a Navy corpsman who a few days before had braved enemy mortar and machine-gun fire to administer first aid to a wounded Marine and then drag him to safety. For this act of heroism Bradley would receive the Navy C! ross, an award second only to the Medal of Honor.

Bradley, who died in 1994, never mentioned his feat to his family. Only after his death did Bradley's son James begin to piece together the facts of his father's heroism, which was but one of countless acts of sacrifice made by the young men who fought at Iwo Jima. Flags of Our Fathers recounts the sometimes tragic life stories of the six men who raised the flag that February day--one an Arizona Indian who would die following an alcohol-soaked brawl, another a Kentucky hillbilly, still another a Pennsylvania steel-mill worker--and who became reluctant heroes in the bargain. A strongly felt and well-written entry in a spate of recent books on World War II, Flags gives a you-are-there depiction of that conflict's horrible arenas--and a moving homage to the men whom fate brought there. --Gregory McNameeFrom Academy Award-winning director Clint Eastwood (Million Dollar Baby, Unforgiven! ) comes the World Was II epic Flags of Our Fathers, pro! duced by Eastwood, Academy Award winner Steven Spielberg (Saving Private Ryan, Schindler’s List), and Rob Lorenz (Mystic River), and from a screenplay adapted by William Broyles, Jr. (Cast Away) and Oscar winner Paul Haggis (Million Dollar Baby, Crash).
February 1945. Even as victory in Europe was finally within reach, the war in the Pacific raged on. One of the most crucial and bloodiest battles of the war was the struggle for the island of Iwo Jima, which culminated with what would become one of the most iconic images in history: five Marines and a Navy corpsman raising the American flag on Mount Suribachi. The inspiring photo capturing that moment became a symbol of victory to a nation that had grown weary of war and made instant heroes of the six American soldiers at the base of the flag, some of whom would die soon after, never knowing that they had been immortalized. But the surviving flag raisers had no interest in being held up as symbols an! d did not consider themselves heroes; they wanted only to stay on the front with their brothers in arms who were fighting and dying without fanfare or glory.
Flags of Our Fathers is based on the bestselling book by James Bradley with Ron Powers, which chronicled the battle of Iwo Jima and the fates of the flag raisers and some of their brothers in Easy Company. Bradley’s father, John "Doc" Bradley, was one of the soldiers pictured raising the flag, although James never knew the full extent of his father’s experiences until after the elder Bradley’s death in 1994.
Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was ! abandoned when Eastwood signed on to direct), this isn't so mu! ch a con ventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities â€" and resentful pawns in a wartime publicity campaign â€" after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed stud! y of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers
Other World War II DVDs
Essential DVDs by Director Clint Eastwood
Flags of Our Fathers by James Bradley

Stills from Flags of Our Fathers (click for larger image)







In this unforgettable chronicle of perhaps the most famous moment in American military history, James Bradley has captured the glory, the triumph, the heartbreak, and the legacy of the six men who raised the flag at Iwo Jima. Here is the true story behind the immortal ! photograph that has come to symbolize the courage and indomita! ble will of America.

In February 1945, American Marines plunged into the surf at Iwo Jimaâ€"and into history. Through a hail of machine-gun and mortar fire that left the beaches strewn with comrades, they battled to the island's highest peak. And after climbing through a landscape of hell itself, they raised a flag.

Now the son of one of the flagraisers has written a powerful account of six very different young men who came together in a moment that will live forever.

To his family, John Bradley never spoke of the photograph or the war. But after his death at age seventy, his family discovered closed boxes of letters and photos. In Flags of Our Fathers, James Bradley draws on those documents to retrace the lives of his father and the men of Easy Company. Following these men's paths to Iwo Jima, James Bradley has written a classic story of the heroic battle for the Pacific's most crucial islandâ€"an island riddled with Japanese tunnels and 22,000 fanatic d! efenders who would fight to the last man.

But perhaps the most interesting part of the story is what happened after the victory. The men in the photoâ€"three were killed during the battleâ€"were proclaimed heroes and flown home, to become reluctant symbols. For two of them, the adulation was shattering. Only James Bradley's father truly survived, displaying no copy of the famous photograph in his home, telling his son only: "The real heroes of Iwo Jima were the guys who didn't come back."

Few books ever have captured the complexity and furor of war and its aftermath as well as Flags of Our Fathers. A penetrating, epic look at a generation at war, this is history told with keen insight, enormous honesty, and the passion of a son paying homage to his father. It is the story of the difference between truth and myth, the meaning of being a hero, and the essence of the human experience of war.


From the Hardcover edition.In the winter of 194! 5, on the tiny island of Iwo Jima, a ferocious, epic battle wa! s fought , resulting in the loss of more than 48,000 lives and producing what was to become one of the most recognizable symbols of World War II: a photograph of six soldiers raising an American flag on the peak of Mount Suribachi. One of the six, Navy corpsman John Bradley, came away from this historical moment with a deep and mysterious silence about his role in the flag raising. Even his wife heard him speak of it only once in their 47-year marriage. After Bradley's death, his son James began to piece together the facts of his father's heroism, as well as that of the other five men, all of whom became reluctant heroes because of their presence during that fateful instant when the shutter clicked and created a wartime icon.

Based on James Bradley's Flags of Our Fathers for adults, this abridged version for younger readers retains the somewhat terse drama, intense heartbreak, and bittersweet triumph of the original narrative. Through his research on th! e event and the soldiers (three of the men were killed in combat within days of the flag raising), Bradley explores the dubious nature of heroism and the devastating effects of war. (Ages 14 and older) --Emilie CoulterFLAGS OF OUR FATHERS SPECIAL COLLECTO - Blu-Ray MoThematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of vi! ctory on the battle-ravaged Japanese island of Iwo Jima on Feb! ruary 23 rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities â€" and resentful pawns in a wartime publicity campaign â€" after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-ra! isers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers


Other Wor! ld War II DVDs

Essential DVDs by Director Clint Eastwood

Flags of Our Fathers by James Bradley

Stills from Flags of Our Fathers (click for larger image)







Flags of Our Fathers

Enduring Love: A Novel (Sydney Cove)

  • ISBN13: 9780800731786
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
On a windy spring day in the Chilterns, the calm, organized life of science writer Joe Rose is shattered when he witnesses a tragic accident: a hot-air balloon with a boy trapped in its basket is being tossed by the wind, and in the attempt to save the child, a man is killed. A stranger named Jed Parry joins Rose in helping to bring the balloon to safety. But unknown to Rose, something passes between Parry and himself on that day--something that gives birth to an obsession in Parry so powerful that it will test the limits of Rose's beloved rationalism, threaten the love of his wife, Clarissa, and drive him to the brink of murder and madness. Brilliant and compassionate, this is a novel of love, faith, ! and suspense, and of how life can change in an instant.Joe Rose has planned a postcard-perfect afternoon in the English countryside to celebrate his lover's return after six weeks in the States. To complete the picture, there's even a "helium balloon drifting dreamily across the wooded valley." But as Joe and Clarissa watch the balloon touch down, their idyll comes to an abrupt end. The pilot catches his leg in the anchor rope, while the only passenger, a boy, is too scared to jump down. As the wind whips into action, Joe and four other men rush to secure the basket. Mother Nature, however, isn't feeling very maternal. "A mighty fist socked the balloon in two rapid blows, one-two, the second more vicious than the first," and at once the rescuers are airborne. Joe manages to drop to the ground, as do most of his companions, but one man is lifted sky-high, only to fall to his death.

In itself, the accident would change the survivors' lives, filling them w! ith an uneasy combination of shame, happiness, and endless se! lf-repro ach. (In one of the novel's many ironies, the balloon eventually lands safely, the boy unscathed.) But fate has far more unpleasant things in store for Joe. Meeting the eye of fellow rescuer Jed Parry, for example, turns out to be a very bad move. For Jed is instantly obsessed, making the first of many calls to Joe and Clarissa's London flat that very night. Soon he's openly shadowing Joe and writing him endless letters. (One insane epistle begins, "I feel happiness running through me like an electrical current. I close my eyes and see you as you were last night in the rain, across the road from me, with the unspoken love between us as strong as steel cable.") Worst of all, Jed's version of love comes to seem a distortion of Joe's feelings for Clarissa.

Apart from the incessant stalking, it is the conditionals--the contingencies--that most frustrate Joe, a scientific journalist. If only he and Clarissa had gone straight home from the airport... If only th! e wind hadn't picked up... If only he had saved Jed's 29 messages in a single day... Ian McEwan has long been a poet of the arbitrary nightmare, his characters ineluctably swept up in others' fantasies, skidding into deepening violence, and--worst of all--becoming strangers to those who love them. Even his prose itself is a masterful and methodical exercise in defamiliarization. But Enduring Love and its underrated predecessor, Black Dogs, are also meditations on knowledge and perception as well as brilliant manipulations of our own expectations. By the novel's end, you will be surprisingly unafraid of hot-air balloons, but you won't be too keen on looking a stranger in the eye.

Ian McEwan is one of Britain's most inventive and important contemporary writers. Also adapted as a film, his novel Enduring Love (1997) is a tale of obsession that has both troubled and enthralled readers around the world. Renowned author Peter Childs explores th! e intricacies of this haunting novel to offer:

  • ! an acces sible introduction to the text and contexts of Enduring Love
  • a critical history, surveying the many interpretations of the text from publication to the present
  • a selection of new and reprinted critical essays on Enduring Love, by Kiernan Ryan, Sean Matthews, Martin Randall, Paul Edwards, Rhiannon Davies and Peter Childs, providing a range of perspectives on the novel and extending the coverage of key critical approaches identified in the survey section
  • cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism
  • suggestions for further reading.

Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Enduring Love and seeking not only a guide to the novel, but a way through the wealth of contextual and critical material that surrounds it.

Just when things seem to be looking! up for John and Hannah Bradshaw, their world is turned upside down. Years ago, John was in prison when he was told his first wife, Margaret, died. So how is it that she shows up in Sydney Town looking to pick up where they left off?

Her marriage now null and void, Hannah is distraught. But she and John feel they must separate to allow John's first marriage to continue. But is Margaret hiding something after all? And just what will she do to get what she wants?

This conclusion to the Sydney Cove trilogy will draw readers in with its suspenseful, romantic, and tender narrative.

The Girl in the Cafe

  • He's a shy civil servant (Bill Nighy, Love Actually) working for the British delegation to the 2005 G8 Summit. She's an alluring young woman (Kelly McDonald, Finding Neverland) he meets at a cafe - and invites her to the Summit on a whim. Together, this unlikely couple might just change history.Running Time: 100 min. Format: DVD MOVIE Genre: DRAMA Rating: NR Age: 0263592822
"All readers of any age need instruction and support that helps them become more independent and self-reflective in their work." â€" Gail Boushey and Joan Moser
 
In The CAFE Book, Gail Boushey and Joan Moser present a practical, simple way to integrate assessment into daily reading and classroom discussion. The CAFE system, based on research into the habits of proficient readers, is an acronym for Comprehension, Accuracy, Fluency, and Expanding vocabulary. The system includ! es goal-setting with students in individual conferences, posting of goals on a whole-class board, developing small-group instruction based on clusters of students with similar goals, and targeting whole-class instruction based on emerging student needs.
 
Gail and Joan developed the CAFE system to support teachers as they:
·         organize assessment data so it truly informs instruction;
·         track each child's strengths and goals, thereby maximizing time with him or her;
·         create flexible groups of students, all focused on a specific reading strategy; and
·         help students remember and retrieve the reading strategies they learned.
 
The CAFE system does not require expensive materials, complicated training, or complete changes to current classroom literacy approaches. Rather, it provides a structure for conferring with ! students, a language for talking about reading development, an! d a syst em for tracking growth and fostering student independence. The CAFE system’s built-in flexibility allows teachers to tailor the system to reflect the needs of their students and their state’s standards. And it’s a perfect complement to The Daily Five, “The Sisters” influential first book, which lays out a structure for keeping all students engaged in productive literacy work for every hour of every classroom day.
  • Includes nearly 250 recipes plus 150 sub-recipes, more than 100 photographs, and approximately 75 illustrations
  • Breaks the café down into its five key components -- the bakery, the pastry shop, the savory kitchen, beverages, and the retail shelf -- with expert advice and contemporary recipes for each area
  • Author Francisco Migoya is an assistant professor at The Culinary Institute of America, where he teaches the Café Operations class for the Baking and Pastry Arts program

Wi! th information on all aspects of the café business-finances, human resources, food production, recipe/menu development, and even décor-The Modern Café offers both inspiration and instruction for anyone who wants to operate a successful café.

"The Modern Café is an impressive volume in both breadth and dept h that elevates standard café fare to something worthy of the term cuisine. Francisco Migoya generously shares his years of experience and research, offering a fresh, contemporary approach to casual dining. His technical skill and eye for detail are inspiring, resulting in respectful yet inventive interpretations of the classics. Migoya has given all of us professional cooks, pastry and savory alike, another invaluable resource. " â€"Michael Laiskonis, Executive Pastry Chef, Le Bernardin

 "What a high level of professionalism in a book full of originality and creativity! Francisco Migoya has created a new work with technolog! y, sensitivity, and passionâ€"an invaluable contribution to th! e world of gastronomy. Enjoy it!" â€"Oriol Balaguer, Pastry Chef and Owner, Oriol Balaguer Boutiques

"Francisco Migoya's The Modern Cafe is a beautiful book that will be used as a practical guide and inspiration for professionals and home cooks alike. " â€"Grant Achatz, Chef and Owner, Alinea

 "This book is just amazingâ€"there is so much information, detail, and inspiration. You can really see Francisco's passion for pastry. This is an outstanding follow up to his first book, Frozen Desserts." â€"Patrick Coston, Pastry Chef and Chocolatier

A professional guide to every aspect of the launch and management of a modern, upscale café.

The Modern Café is the first comprehensive, must-have reference for the aspiring restaurateur or café owner who wants to make sure he gets every detail right.

This exquisitely illustrated volume is packed with professional guidance and master recipes for breakfast pastries, arti! sanal sandwiches, truffles and treats, and much more. Additionally, an entire chapter is devoted to the retail shelf, a key contributor to any café's financial health.

Recipe Excerpts from The Modern Cafe


Pan-Fried Baby Artichokes with Lemon Aïoli

Financiers

Elderflower Ganache Pops

Do you love teaching but feel exhausted from the energ! y you expend cajoling, disciplining, and directing students on! a daily basis? If so, you'll want to meet Â"The Sisters”, Gail Boushey and Joan Moser. Based on literacy learning and motivation research, they created a structure called The Daily Five which has been practiced and refined in their own classrooms for ten years, and shared with thousands of teachers throughout the United States. The Daily Five is a series of literacy tasks (reading to self, reading with someone, writing, word work, and listening to reading) which students complete daily while the teacher meets with small groups or confers with individuals.

This book not only explains the philosophy behind the structure, but shows you how to carefully and systematically train your students to participate in each of the five components.

Explicit modeling practice, reflecting and refining take place during the launching phase, preparing the foundation for a year of meaningful content instruction tailored to meet the needs of each child.

The Daily Five is more than! a management system or a curriculum framework; it is a structure that will help students develop the habits that lead to a lifetime of independent literacy.

In Philly's upscale West Side, Philly Grounds is the place to be and meet. Barista Claire, played by JLH, serves up wisdom along woith the coffee and scones. The clientele comes to her with advise on love, life and careers. The place has a dark side also as witnessed when tragedy strikes. Stars Jennifer Love Hewit- Jaime Kennedy- Alexa Vega- and Madeline CarrollEttie Brookbank is the heart and soul of Cook's Basin, a sleepy offshore community comprising a cluster of dazzling blue bays. But for all the idyllic surroundings, Ettie can't help wondering where her dreams have disappeared to. Until fate offers her a lifeline - in the shape of a lopsided little café on the water's edge. When Bertie, its cantankerous septuagenarian owner, offers her 'the Briny' for a knockdown price, it's an opportunity too good to m! iss. But it's a mammoth task - and she'll need a partner. Ente! r Kate J ackson, the enigmatic new resident of the haunted house on Oyster Bay. Kate is also clearly at a crossroads - running from a life in the city that has left her lonely and lost. Could a ramshackle cafe and its endearingly eccentric customers deliver the new start both women so desperately crave? The Briny Cafe by Susan Duncan Sample Chapter(function() { var scribd = document.createElement("script"); scribd.type = "text/javascript"; scribd.async = true; scribd.src = "http://www.scribd.com/javascripts/embed_code/inject.js"; var s = document.getElementsByTagName("script")[0]; s.parentNode.insertBefore(scribd, s); })();Ettie Brookbank is the heart and soul of Cook's Basin, a sleepy offshore community comprising a cluster of dazzling blue bays. But for all the idyllic surroundings, Ettie can't help wondering where her dreams have disappeared to. Until fate offers her a lifeline - in the shape of a lopsided little café on the water's edge. When Bertie, its cantankerous septuagenar! ian owner, offers her 'the Briny' for a knockdown price, it's an opportunity too good to miss. But it's a mammoth task - and she'll need a partner. Enter Kate Jackson, the enigmatic new resident of the haunted house on Oyster Bay. Kate is also clearly at a crossroads - running from a life in the city that has left her lonely and lost. Could a ramshackle cafe and its endearingly eccentric customers deliver the new start both women so desperately crave? The Briny Cafe by Susan Duncan Sample Chapter(function() { var scribd = document.createElement("script"); scribd.type = "text/javascript"; scribd.async = true; scribd.src = "http://www.scribd.com/javascripts/embed_code/inject.js"; var s = document.getElementsByTagName("script")[0]; s.parentNode.insertBefore(scribd, s); })();

Restaurants, bars, and cafés are some of the most competitive businesses in the world. Getting the marketing and branding right is essential for surviv! al. This book provides a catalog of creative ideas for getting! restaur ant graphics right. It offers designers hundreds of inspiring and innovative graphic options for identity, signage, installations, promotions, swag, menus, and more. As with the other books in the 1000 series this book offers designers the ultimate resource to jump-start their creativity for their restaurant industry clients.

The design of coffee shops is increasingly on the move. Where cafs have traditionally been viewed as places principally to enjoy a coffee, they have evolved to show a broad range of multifunctional purposes and amenities: They can, for instance, exist as cozy lunch-time meeting spots before abruptly transforming into vibrant late-night bars after sundown. Caf! Best of Coffee Shop Design shows the wide scope of different caf concepts, including coffee bars as integral parts of cutting-edge multipurpose buildings, flagship stores and traditional shops with a contemporary twist. The 40 projects featured comprise an extensive variety of designs and! styles, ranging from minimalist, strict and reduced, to opulent and extravagant.The French cafe epitomises the French art of living. Through its timeless glass doors float the aromas of strong coffee and black-tobacco, hot milk and fresh croissants. The cafe, open early until late, is both focus and microcosm of society. Friends talk; lovers linger; the white saucers pile up as the world goes by; a lone customer comes in to read the newspapers or for a petit verre at the bar. The French cafe is a refuge, a place to meet, to sit inside or out, somewhere to see and be seen. For anyone interested in French life and culture, here is a an intimate look at a great institution, from the grand establishments dating from the all rural bistro from the workers' local cafes to the legendary Parisian cafes where the poets, painters and philosophers gathered. From Directoire decoration to Starck style, this book reveals the rich variety and extraordinary inventiveness of cafe design. Ma! rie-France Boyer is a freelance journalist, and represents in ! Paris th e magazine "The World of Interiors". Her last book wass "Cabin Fever: Sheds and Shelters, Huts and Hideaways" (1993), also published by Thames and Hudson. Eric Morin is a Paris-based photographer who contributes to many magazines on interior design including "The World of Interiors".A Hollywood actress known for her beauty flees to a secluded mountain cabin in North Carolina after being severely scarred in a car accident. There she finds unexpected love and a new life with a man who lost his family in 9-11.He's a shy civil servant (Bill Nighy, Love Actually) working for the British delegation to the 2005 G8 Summit. She's an alluring young woman (Kelly McDonald, Finding Neverland) he meets at a cafe - and invites her to the Summit on a whim. Together, this unlikely couple might just change history.

DVD Features:
Audio Commentary
Deleted Scenes
Featurette

As a pop star on the comeback trail, Bill Nighy handily stole Love Actual! ly away from his more famous co-stars. In BBC/HBO co-production The Girl in the Café, he takes the lead--and runs with it. Written by Richard Curtis (Notting Hill), the offbeat political-romance concerns Lawrence, a 57-year-old Londoner with a successful governmental career and nonexistent social life. One day he stops in a café and meets the mysterious, considerably younger Gina (Kelly Macdonald, Trainspotting). To their mutual amazement, they hit it off and agree to meet again (and yet again). Then he invites her to accompany him to the G8 Summit in Reykjavík, where she upends his carefully ordered world in ways both wonderful and terrible. Suddenly this "man who has nothing in his life but his work" must find a way to make room for something "tender and true." With Corin Redgrave as the Prime Minister. --Kathleen C. Fennessy

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