Casio G'zOne Commando Android Phone (Verizon Wireless)

• 480 x 800 3.6" WVGA capacitive touch screen
• Bluetooth connectivity (version 2.1)
• 5 megapixel rear camera with autofocus and LED flash
• Andoid 2.2 Operating System
• What's in the Box: Verizon G'zOne Commando smartphone, standard Lithium Ion battery, micro USB cable, AC adapter, Getting Started guide, 8GB Micro SD card, preinstalled SIM card, warranty card.

Introducing the Casio G'zOne Commando, the first G'zOne Android phone. Continuing in the rough and tough G'zOne heritage, the Commando now adds the versatility of Android for a powerful mobile experience. Rugged - with MIL-STD-810G certification - the Commando meets military standards for water, shock, and dust resistance making it perfect for any situation that life can throw at it, from the boardroom to the beach.

! Rugged, with the versatility of an Android OS. View larger

And not only is the Commando physically secure, but all of your information stored on the device is secure as well. With Exchange Active Sync you can ensure that confidential information stays that way by setting up SSL data encryption, device password policies, remote wipe options and more. Access G'zGEAR applications like the Earth Compass, Walking Counter, Adventure Training, Thermometer, and Tide Calculator that can help you to get in touch with the outdoors and fully embrace the active, adventure-driven lifestyle.

Not only physically secure, with Exchange Active Sync all your information is protected. View larger

The Commando features G'zOne's powerful XT9 and T9 Trace text entry tools. XT9's patented modular architecture provides one powerful and flexible text entry platform for almost any mobile keyboard type: 12-key, 20-key, Qwerty, and touchscreens. XT9 also supports speech and handwriting recognition and can be used in any application where text is entered on a device such as SMS, email, calendar, notes, tasks, browser search boxes, and more. T9 Trace eliminates the need to "hunt and peck" keys on a touch screen panel by allowing you to simply "trace" letters to enter text. With T9 Trace, you can quickly and easily glide their finger or stylus from one letter to the next on a Qwerty or 12-key touch screen keypad.

Web-Access on the Nation's Largest 3G Net! work

The Commando makes it easy to browse the Web at 3G speeds on Verizon's large and reliable 3G network. The multi-window HTML browser lets you view full websites. Whether you're at home or a Wi-Fi hotspot, you can switch over and use wireless networking to gain access to an even faster Internet connection. Plus, your phone turns into a 3G mobile hotspot to connect up to five other Wi-Fi-enabled devices.

Vital Statistics

The Verizon G'zOne Commando by Samsung weighs 5.45 ounces and measures 5.08 x 2.58 x 0.60 inches. It runs on Digital Dual Mode (CDMA,PCS) and EV-DO Rev.A frequencies. The standard 1460mAh lithium-ion battery offers up to 450 minutes of talk time and up to 270 hours (11 days) of standby time.

What's in the Box

Casio G'zOne Commando smartphone, standard lithium-ion battery, micro USB cable, AC adapter, getting started guide, 8GB micro SD card, preinstalled SIM card, warranty card.

---

D esign & Hardware

• 480 x 800 3.6" WVGA capacitive touch screen
• Bluetooth connectivity (version 2.1) includes profiles for communication headset, hands-free car kits, and the A2DP Bluetooth profile--enabling you to wirelessly stream your music to a pair of compatible Bluetooth stereo headphones or speaker dock
• Virtual QWERTY Keyboard with XT9 and T9 Trace
• 8GB SD card preinstalled with support for SD cards up to 32GB
• GPS (AGPS) navigation with turn-by-turn directions
• 3G Mobile Hotspot creates a Wi-Fi hotspot that can be shared among five Wi-Fi-capable devices
• Meets Military Standards 810G for: Immersion, Rain, Shock & Dust Resistance, Vibration, Salt Fog, Humidity, Solar Radiation, Altitude, and Low and High Temperature Storage

Camera

• 5 megapixel rear camera with autofocus and LED flash
• Record 720p HD video for sharing later

Multimedia

• ! Supports popular audio formats such as MIDI, EVRC, EVRCB, AMR, MP3, AAC, AAC+, eAAC+, MPEG4, and WMA
• Displays JPEG, PNG, GIF87a, and GIF89a photos
• Plays H.263, H.264, and MPEG4 formatted videos
• Full HTML Browser with support for Adobe Flash Player 10.1 provides more pages and better Web content delivered efficiently to your phone

OS & Software

• Android 2.2 operating system (Froyo) with over-the-air upgrade capability for future OS releases
• Tools: Calendar, Calculator, Flashlight, Alarm Clock, World Clock, Stop Watch, Timer
• Bing Search and Bing Maps
• Google mobile services including Gmail, Google Talk, YouTube, Google Calendar and Google Search
• Email client with push support for MS Exchange and Gmail
• Verizon V CAST enables you to watch full-length TV shows plus news, sports, weather, and live entertainment video clips
G’zGear apps: Earth Compass, Walking Counter, Adventure Tra! ining, T rip Memory, Thermo-meter, Tides, Sun/Moon, Star Gazer

More Features

• Speakerphone for hands-free calls
• Headset: 3.5mm audio jack
• English/Spanish bilingual user interface
• Advanced speech recognition and visual voice mail
• TTY compatible
• Hearing aid compatibility: M4/T4

5 MP camera with autofocus and LED flash. View larger

---

Android Operating System

The Commando runs the advanced Android operating system--OS 2.2 (aka, Froyo)--which provides a faster overall Android experience as well as greater multitasking capabilities. You'll be able to receive notifications, listen to music,! and even record GPS data without keeping the application open. And it features a plethora of new enhancements, including an improved onscreen QWERTY keyboard, full push corporate e-mail, and support for Adobe Flash Player 10.1 for access to the full Web. It also offers enhanced Exchange support, with Calendar syncing, Global Address Lookup, improved security, auto-discovery, and more.

With integrated Google technology, the Commando brings one-touch access to the popular Google mobile services millions use every day, including Google Search by voice, Google Maps with Street View, GTalk instant messaging (with presence capabilities), YouTube, and Picasa. It also provides easy access to both personal and corporate e-mail, calendars, and contacts supported by Exchange Server and Gmail. And through Android Market, you'll get access to thousands of useful applications, widgets, and fun games to download and install on your phone, with many more apps being added every day! .

Also Available for this Android Device

	Amazon Appstore for Android Get a great paid app for free every day.		Kindle Buy a book once and read it everywhere with our free Kindle Reading App for Android.		Amazon MP3 Shop 15! million songs and stream your Cloud Drive music directly from your Android device.
	IMDB Find local movie showtimes and TV listings, watch trailers, and search the world's largest source of entertainment information.		Audible Download audiobooks directly to your Android device, then listen wherever you go, get audiobook news, earn badges, and more.		Amazon Mobile Shop for millions of products, get product details, and read reviews--right from your mobile device.

Read more »

Bowfinger

• TESTED

BOWFINGER - DVD MovieFilmmakers often remark that it's just so hard to make a bad picture that few would take on the challenge if they weren't so naive. Steve Martin's Bobby Bowfinger is cut from that pattern, one of those sweet, indomitable operators of Hollywood who seem to be descended directly from Ed Wood (of Plan 9 from Outer Space infamy). To resurrect his ramshackle existence, Bowfinger opts to film his accountant's sci-fi spectacular, Chubby Rain, about aliens invading in raindrops. The snag is he needs to attach action megastar Kit Ramsey (Eddie Murphy), an actor so paranoid he counts the K's in scripts to uncover possible Ku Klux Klan influences. When his effort fails, Bowfinger hits on an ingenious scheme to film Ramsey without his knowledge, throwing his actors at the hapless star whenever he appears in public. Only Kit begins to believe he's being h! ounded by aliens for real, and runs hysterically to his guru (Terence Stamp) at a Scientology-clone group called MindHead, where people walk around in fine suits wearing white pyramids on their heads. Deprived of his star, yet not to be undone, Bowfinger hires a look-alike, Jiff (also Eddie Murphy), to fill in. The tone of the picture is sometimes flat, rather than deadpan, but that's nitpicking. The farce is quick and engrossing, and populated with terrific performances, especially by Eddie Murphy, whose dual role as Kit and Jiff showcases his character-building gift, and by Martin, whose Bowfinger, part con man and part would-be visionary, manages to capture your sympathies. Heather Graham's would-be actress cheerfully sleeps her way to the top like she knows she's supposed to, and Christine Baranski plays her shopworn method actor with myopic self-absorption. --Jim Gay

Read more »

Smith & Wesson SWFR2S Extreme Ops Knife with Coated Tanto Blade and Rubber Coated Handle, Black

• Features a 3.3-inch blade and a 4.7-inch handle
• Constructed of 400 series stainless steel
• Equipped with an integrated glass breaker
• Also includes an integrated seat-belt cutter
• Weighs only 4.4 ounces

A TELEVISION COMMERCIAL SHOOT IN AUSTRIAN ALPS FEATURINGEXTREME SKIING GOES TERRIBLY WRONG WHEN THE FILM CREW UNKNOWINGLY CAPTURES A WANTED SERBIAN WAR CRIMINAL ON FILM. IT'S A BATTLE FOR SURVIVAL BETWEEN THE WAR CRIMINAL AND THE EXTREME SPORTS ENTHUSIASTS.When an extreme-sports filmmaking team sets out to make a commercial featuring a gold-medal skier outrunning an avalanche, they run afoul of a Serbian war criminal hiding out in a mountain resort. So it's snowboards vs. bullets on steep slopes of snow--and if that's your thing, Extreme Ops is for you. There are also subplots about the high-class skier (Bridgette Wilson-Sampras, House on Haunted Hil! l) trying to prove herself with the rough-and-tumble snowboard scamps, and various romantic sparks flying, but the only real point to this movie is lengthy shots of stuntpeople zipping down the mountainsides. Though it could stand to have less plot and more action, there's a good dose of spectacle nonetheless. Rufus Sewell (Dark City), Devon Sawa (Final Destination), and the cast do a serviceable job, but poor Brit Rupert Graves (excellent in Mrs. Dalloway) was forced to act through a terrible American accent. --Bret FetzerThis item comes with well known brand name of Rothco. Rothco is the World's Foremost Supplier of Military and Outdoor Clothing and Accessories.

Read more »

Aliens of the Deep

• Take a once-in-a-lifetime journey with Academy Award(R)-winning director James Cameron (Best Director, TITANIC, 1997) in ALIENS OF THE DEEP, and make contact with another world. This incredible underwater adventure gives you extraordinary glimpses of unbelievable creatures that live in an alien world in the deepest depths of the sea. Could these alien life forms be clues to life in outer space? It

Take a once-in-a-lifetime journey with Academy Award(R)-winning director James Cameron (Best Director, TITANIC, 1997) in ALIENS OF THE DEEP, and make contact with another world. This incredible underwater adventure gives you extraordinary glimpses of unbelievable creatures that live in an alien world in the deepest depths of the sea. Could these alien life forms be clues to life in outer space? It's an exciting exploration you'll not soon forget.~~(c)Buena Vista Home Entertainment, Inc. and Walden M! edia, LLC ~~James Cameron takes another foray into the depths with a new deep-sea documentary. Following the shipwreck of Ghosts of the Abyss, Cameron focuses his abundant energies on where life is not powered by sunlight. These implications are taken a bit further, thanks to some dandy effects, on how life may develop in the ice-covered waters of Jupiter's moons. Some of the newly seen creatures are truly amazing: a fish with feet, shrimp that can swim between boiling hot steam and icy currents. Plus there's a cute creature that looks like something from an animator's portfolio: an albino octopus with fins. Like Ghosts, this film is significantly different on DVD. Both were presented in IMAX 3-D but are only 2-D on DVD; however, also included are extended versions, doubling the original's 45-minute run time. The added footage gets you more in-depth coverage of the crew and the missions. Cameron is also an expert host, showing his enthusiasm for the project ("! I love this stuff!") while letting his younger scientist co-st! ars lead the way. (Ages 6 and older) --Doug Thomas

Read more »

Famous Stars and Straps Men's Filth & Fury Hat, Black/White/Red, Large/X-Large

• Doin our own thing since 99'
• Making noise and influencing people

"Ever get the feeling you've been cheated?" sneers Johnny Rotten at the Sex Pistols' farewell performance. After seeing this picture you'll understand his disgust, but Julian Temple's sharp portrait of the ragged, raw band of working-class Brits won't leave you disappointed. The Sex Pistols left their legacy in a whirlwind 26-month reign, spitting out a caustic, confrontational brand of rock & roll that became the rallying cry for angry, disaffected youths in late 1970s England and defined the punk movement. Their story was first told two decades ago in the cynical The Great Rock and Roll Swindle, also directed by Temple but produced by the Sex Pistols' smarmy manager, Malcolm McLaren, who stage-managed the film into a self-promoting vanity project. For The Filth and the Fury, Temple turns to the four surviving band memb! ers to tell their own stories. His vibrant, vigorous direction captures the period of social unrest and alienated youth without turning into a history lesson, and shows the Pistols in all their insolent glory: spewing obscenities and gesturing lewdly to audiences and press alike, screaming out lyrics, overcoming musical limitations with pure passion and attitude. Rare, raw concert footage (including their final performance, which is appropriately enough the song "No Fun") and previously unseen interviews with the deceased Sid Vicious further energize the portrait. There's even footage of the smiling band cutting cake for kids at a fundraiser with nary a nasty gesture or sneering comment. Now there's a side of the Pistols you don't see everyday."Ever get the feeling you've been cheated?" sneers Johnny Rotten at the Sex Pistols' farewell performance. After seeing this picture you'll understand his disgust, but Julian Temple's sharp portrait of the ragged, raw band of worki! ng-class Brits won't leave you disappointed. The Sex Pistols ! left the ir legacy in a whirlwind 26-month reign, spitting out a caustic, confrontational brand of rock & roll that became the rallying cry for angry, disaffected youths in late 1970s England and defined the punk movement. Their story was first told two decades ago in the cynical The Great Rock and Roll Swindle, also directed by Temple but produced by the Sex Pistols' smarmy manager, Malcolm McLaren, who stage-managed the film into a self-promoting vanity project. For The Filth and the Fury, Temple turns to the four surviving band members to tell their own stories. His vibrant, vigorous direction captures the period of social unrest and alienated youth without turning into a history lesson, and shows the Pistols in all their insolent glory: spewing obscenities and gesturing lewdly to audiences and press alike, screaming out lyrics, overcoming musical limitations with pure passion and attitude. Rare, raw concert footage (including their final performance, ! which is appropriately enough the song "No Fun") and previously unseen interviews with the deceased Sid Vicious further energize the portrait. There's even footage of the smiling band cutting cake for kids at a fundraiser with nary a nasty gesture or sneering comment. Now there's a side of the Pistols you don't see everyday. --Sean Axmaker

The official companion to the Fine Line Features documentary film.

The Sex Pistols burst onto the music scene in 1976 and smashed up everything they touched. Their revolutionary sound energized disaffected youth worldwide while their larger-than-life singer, John Lydon (aka Johnny Rotten), and bass player, Sid Vicious, captured headlines throughout the Pistols' twenty-six-month reign as the lads who created punk.

For the first time, John Lydon, Paul Cook, Glen Matlock, Steve Jones, and Sid Vicious tell their story together in their own words through new interviews and archival material. Raw and engaging, T! he Filth and the Fury captures the emotions and egos that ! fueled t he Pistols' rise to fame and ultimately brought them down.

Dive from the stage into The Filth and the Fury.

"Ever get the feeling you've been cheated?" sneers Johnny Rotten at the Sex Pistols' farewell performance. After seeing this picture you'll understand his disgust, but Julian Temple's sharp portrait of the ragged, raw band of working-class Brits won't leave you disappointed. The Sex Pistols left their legacy in a whirlwind 26-month reign, spitting out a caustic, confrontational brand of rock & roll that became the rallying cry for angry, disaffected youths in late 1970s England and defined the punk movement. Their story was first told two decades ago in the cynical The Great Rock and Roll Swindle, also directed by Temple but produced by the Sex Pistols' smarmy manager, Malcolm McLaren, who stage-managed the film into a self-promoting vanity project. For The Filth and the Fury, Temple turns to the four surviving band mem! bers to tell their own stories. His vibrant, vigorous direction captures the period of social unrest and alienated youth without turning into a history lesson, and shows the Pistols in all their insolent glory: spewing obscenities and gesturing lewdly to audiences and press alike, screaming out lyrics, overcoming musical limitations with pure passion and attitude. Rare, raw concert footage (including their final performance, which is appropriately enough the song "No Fun") and previously unseen interviews with the deceased Sid Vicious further energize the portrait. There's even footage of the smiling band cutting cake for kids at a fundraiser with nary a nasty gesture or sneering comment. Now there's a side of the Pistols you don't see everyday. --Sean AxmakerMen's flex fit hat with front embroidery and screen printed undervisor

Read more »

Brothers & Sisters: The Complete Fourth Season

• BROTHERS & SISTERS: THE COMPLETE FOURTH SEASON-6-D (DVD MOVIE)

Four adopted brothers come together to bury the woman who raised them. At the funeral, the brothers discover that their mother was murdered, and they look to seek revenge.Bound by love for their slain adoptive mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it walks a fine line of credibility with a mythic vengeance plot (recalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played! respectively by Mark Wahlberg, Garrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the killers, only to discover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Terrence Howard as a tenacious detective) lend emotional dimension to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonFour adopted brothers come together to bury the woman who raised them. At the funeral, the brothers discover that their mother was murdered, and th! ey look to seek revenge.Bound by love for their slain adoptive! mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it walks a fine line of credibility with a mythic vengeance plot (recalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played respectively by Mark Wahlberg, Garrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the killers, only to discover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the ! way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Terrence Howard as a tenacious detective) lend emotional dimension to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonFour adopted brothers come together to bury the woman who raised them. At the funeral, the brothers discover that their mother was murdered, and they look to seek revenge.Bound by love for their slain adoptive mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it wa! lks a fine line of credibility with a mythic vengeance plot (r! ecalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played respectively by Mark Wahlberg, Garrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the killers, only to discover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Terrence Howard as a tenacious detective) lend emotional dimension to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled! with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonFour adopted brothers come together to bury the woman who raised them. At the funeral, the brothers discover that their mother was murdered, and they look to seek revenge.Bound by love for their slain adoptive mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it walks a fine line of credibility with a mythic vengeance plot (recalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played respectively by Mark Wahlberg, G! arrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the! killers , only to discover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Terrence Howard as a tenacious detective) lend emotional dimension to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonBound by love for their slain adoptive mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage ! to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it walks a fine line of credibility with a mythic vengeance plot (recalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played respectively by Mark Wahlberg, Garrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the killers, only to discover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Ter! rence Howard as a tenacious detective) lend emotional dimensio! n to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonBound by love for their slain adoptive mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it walks a fine line of credibility with a mythic vengeance plot (recalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played respectively by Mark Wahlberg, Garrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the killers, only to di! scover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Terrence Howard as a tenacious detective) lend emotional dimension to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonWelcome the Walkers back into your home with the emotional fourth season of the warm and witty drama that explores the triumphs and tragedies of the American family. Featuring one of the most celebrated casts on television, including Sally Field, Calista Flockh! art, Rob Lowe, and Patricia Wettig, ABC’s Brothers And Siste! rs is †œinstantaneously seductive,” raves the Wall Street Journal.

No matter how much life changes, family stays the same. As new challenges arise for the Walkers, they learn to rely on one another more than ever before. Kitty’s personal revelation devastates the entire family, Nora begins a relationship with a younger man and Justin and Rebecca’s Malibu wedding doesn’t quite go as planned. Relive all the drama and every touching moment of Season Four, complete with never-before-seen bonus features available only on DVD!The Walker family of Brothers and Sisters grows more complex with every season--a delight for viewers who get plenty of comedy along with a crisply written dramatic series. The ensemble cast is always top-notch across the board, but this season belongs to Calista Flockhart as Kitty, who faces serious health and personal challenges with believable vulnerability alternating with determination. This season also sees a delicious--and younger--love! interest for Nora (Sally Field), and a new French beau for Sarah (Rachel Griffiths). As the Walker family tries to rally around Kitty and her shocking news, however, their messy lives tend to spiral out of tidy plot lines. This season Kitty's marriage to Robert (the always excellent Rob Lowe, who lends the cast some needed gravitas) faces speed bumps bigger than usual, while her brother Kevin (Matthew Rhys) and his partner Scotty (Luke Macfarlane) decide to expand their family--and to start a new business. Another Walker offspring is discovered, and he brings with him an element of menace.

Viewers adore Brothers and Sisters precisely because there's so much going on with the characters they have grown to love, but this season has perhaps a few too many subplots to follow and get invested in. (With the steely Patricia Wettig, playing Holly, at the helm of Ojai Foods, is there really any doubt the company will survive its economic challenges?) But the deeply invol! ving story of Kitty and her health issues--and Flockhart's ins! pired pe rformance--is, as it should be, the silk thread that holds together season 4 of Brothers and Sisters--and the Walker family.

The boxed set, like those of previous seasons, is rich in material for fans. There are more than a dozen deleted scenes, all well acted and nuanced, and the bloopers are abundant and hilarious. There is also a feature about the cast members and how bonded they are off-camera--to the point where they play softball and even do a triathlon together. And you know what they say about a family that plays together. --A.T. Hurley

Read more »

Get Carter

• A vicious London gangster, Jack Carter, travels to Newcastle for his brother's funeral. He begins to suspect that his brother's death was not an accident and sets out to follow a complex trail of lies, deceit, cover-ups and backhanders through Newcastle's underworld, leading, he hopes, to the man who ordered his brother killed. Because of his ruthlessness Carter exhibits all the unstopability of t

No Description Available.
Genre: Feature Film-Drama
Rating: R
Release Date: 2-OCT-2001
Media Type: DVDFor Get Carter, the able Michael Caine checked in his likable working-class-bloke persona to play a very unlikable working-class bloke, London gangster Jack Carter. Heading "up north" to get to the bottom of the recent death of his brother, he runs afoul of the local color, who don't appreciate his meddling. Not content to accept the police report of su! icide, Carter begins investigating. He encounters the local mob boss, his sleazy chauffeur with eyes like "piss holes in the snow," and the lovely town porn star. The film moves along at a leisurely pace, until Carter finds out the grim truth. The final third of the film has Jack Carter on the vengeance path. No one in this film gets a happy ending. When it's over, you feel as though you need to wipe the soot off yourself and go stand under a sun lamp. The British board of tourism would prefer you didn't watch this film. --Kristian St. Clair

Read more »

Heist

• TESTED

Gene Hackman plays the veteran ringleader of a gang of theives (Delroy Lindo, Ricky Jay and Rebecca Pigeon as Hackman's youngish wife) that pulls off complex heists for a despicable fence (Danny DeVito). After stiffing the gang on a jewelry robbery, DeVito forces the gang to go after a Swiss gold shipment and to use his son (Sam Rockwell) in the crime. Mistrust runs rampant as double-crosses threaten the split-second operation.

DVD Features:
Interactive Menus
Scene Access
Theatrical Trailer

David Mamet's Heist is--not unlike many of his previous films--amusing, manicured, and fraught with an awkward tension. If you've seen The Spanish Prisoner or House of Games, you're by now familiar with the plot-subverting gambit of the double-cross turned triple- and then quadruple-cross. Heist sticks to the formula. Likewis! e, the quips and laconic wit that adorn what can most accurately be called "Mametspeak" are again on display: "Cute as a pail full of kittens," for instance, and "Everybody needs money; that's why they call it money." What you haven't yet seen in a Mamet film is the magisterial charm of Gene Hackman. In the role of Joe Moore, an aging criminal out for one final score before cashing in, Hackman shows us all (Mamet included) how it's done, embodying tough-but-clever effortlessly. Delroy Lindo, as Joe's partner Bobby, picks up on Hackman's ultra-cool and gives plenty in return. While the script and the remaining cast (Danny Devito, Rebecca Pidgeon, Sam Rockwell) are serviceable, Heist is entirely Hackman's show to steal. --Fionn Meade

Read more »