- It has always been recognized as one of Charles Dickens's literary masterworks, but this Bleak House is now fast moving, daring, gripping television. Here is the murder mystery, the love story, the comic genius and the tantalizing scandal of the novel but, stripped of its sentimentality, we find ourselves swept along by a pulsating and edgy drama. Out of an interminable court case spin three young
Gillian Anderson stars in this dark thriller about a couple that embarks on a violent spree after surviving a gang attack. Driving back from a posh party at a country estate, Alice (Anderson) and Adam (Danny Dyer) find themselves brutally assaulted by a group of hunters. Physically and emotionally devastated by the attack, the tables suddenly turn when they discover the identity of their attackers. This time, it̢۪s their turn to exact the ultimate revenge.
The X-Files' Gillian Anderson give! s an impressive performance as a woman obsessed by revenge in this sleek and chilly English thriller by documentary filmmaker Dan Reed. Anderson is top-billed as a Brit businesswoman who invites the rough-hewn tech (Danny Dyer) who's installing her security system to a business party in the country. Slow-boiling sexual tension between the two to an erotic encounter in the woods â€" which is soon undercut by a savage attack by a group of local hunters, who rape Anderson and beat Dyer senseless. As they recover, viewers soon learn that the pair's trauma runs deeper than just the physical level â€" Dyer is emotionally shattered, and Anderson is gripped by a need to repay her attackers with violence more terrible than what they visited upon her. Though the plot occasionally veers into implausible territory, the couple's search for the guilty party â€" and the gruesome fate they have in store for them â€" is unnerving, and made all the more so by Anderson intense turn, which pre! sents a torrent of conflicting emotions raging just below her ! cool, po rcelain surface.
- Paul GaitaIshmael sees his dream of a whaling voyage come true when he joins the crew of the Pequod, a sailing vessel leaving port in Nantucket. Unbeknownst to Ishmael and the mates, the Pequod s monomaniacal Captain Ahab is taking them all on a mad and personal mission to slay the great whale Moby Dick an obsession that will open their eyes to the wonder and spectacle of man, of beast, and the inescapable nature of both.Starring Gillian Anderson (The X-Files, The Last King of Scotland) and Robert Carlyle (The Full Monty). The Mighty Celt uplifts and charms. Young Donal, growing up alone with his mother, Kate, works after school for Good Joe, a local greyhound trainer. As Donal's talent with dogs becomes apparent, he strikes a deal with Good Joe to own a promising greyhound, The Mighty Celt, if he can train it to win three successive races.
Meanwhile, each of their lives is profoundly affected by the reappearance of O, an enigmatic figu! re from the past. Good Joe clearly dislikes O, hating all that he represents, and resents the growing closeness of Donal and O-a friendship that worries Kate. When Good Joe reacts to the growing relationship between O and Donal by reneging on his deal, Donal is forced to learn some harsh lessons about life.
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It has always been recognized as one of Charles Dickens's literary masterworks, but this Bleak House is now fast moving, daring, gripping television. Here is the murder mystery, the love story, the comic genius and the tantalizing scandal of the novel but, stripped of its sentimentality, we find ourselves swept along by a pulsating and edgy drama. Out of an interminable court case spin three young people, each seaching for their place in the world. The story moves fast - swirling through a incredible array of characters from passionate young lo! vers, from an ice-cold aristocratic beauty to a shrewd, relent! less det ective - until the final thrilling climax. With a screenplay by Andrew Davies (Pride and Prejudice), Bleak House features a galaxy of major stars from feature film, television and comedy.Andrew Davies isn't much of household name in the U.S., but he's the king of the BBC mini-series. His skillfully adapted scripts for
Pride & Prejudice (the beloved Colin Firth version) and many, many more are peerless examples of classic novels done right--cunningly edited and shaped to let all the rich emotion and sharp intelligence spill over with zip and vigor.
Bleak House is no exception; it's one of the best Dickens adaptations to date. The mini-series form allows Dickens' panoramic view, brimming with eccentric characters and complex turns of plot, to sprawl out without losing an iota of suspense or momentum. Two innocent young orphans (Patrick Kennedy and Carey Mulligan) are the potential heirs to a fortune, but their fates are snarled in a monumental legal battle known! as Jarndyce and Jarndyce. But the heart of the story is another orphan, Esther Summerson (Anna Maxwell Martin), whose mysterious parentage proves to be intertwined with the fate of the Jarndyce wards and the aloof Lady Dedlock (Gillian Anderson,
The X-Files). Dickens' story twines through an excoriating vision of the legal system to heartbreaking domestic drama to a murder investigation to near-Gothic horror, all broken into utterly delicious half-hour segments (after the hour-long opening episode). Martin is utterly beguiling, homely at one moment and luminous the next; Anderson's grippingly eerie and brittle performance will delight her fans. But to single out anyone seems absurd, because every character--from the vicious lawyer Tulkinghorn (Charles Dance,
White Mischief) to the foppish parasite Skimpole (Nathaniel Parker,
The Inspector Lynley Mysteries) to the simpering clerk Guppy (Burn Gorman)--is intricately drawn, all hitting a mesmerizing balan! ce between caricature and stark emotional honesty.
Bleak Ho! use demonstrates that humor, pathos, and social criticism can all be contained in one wonderfully entertaining package.
--Bret Fetzer
12:33 AM
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