Flags of Our Fathers First Edition In Dust Jacket

• Flags of Our Fathers
• [Flags of Our Fathers]

#1 NEW YORK TIMES BESTSELLER

THE TRUE STORY BEHIND THE IMMORTAL PHOTOGRAPH THAT HAS COME TO SYMBOLIZE THE COURAGE AND INDOMITABLE WILL OF AMERICA

In February 1945, American Marines plunged into the surf at Iwo Jimaâ€"and into history. Through a hail of machine-gun and mortar fire that left the beaches strewn with comrades, they battled to the island’s highest peak. And after climbing through a landscape of hell itself, they raised a flag.

Now the son of one of the flagraisers has written a powerful account of six very different young men who came together in a moment that will live forever.

To his family, John Bradley never spoke of the photograph or the war. But after his death at age seventy, his family discovered closed boxes of letters and photos. In Flags of Our Fathers, James Bradley! draws on those documents to retrace the lives of his father and the men of Easy Company. Following these men’s paths to Iwo Jima, James Bradley has written a classic story of the heroic battle for the Pacific’s most crucial islandâ€"an island riddled with Japanese tunnels and 22,000 fanatic defenders who would fight to the last man.

But perhaps the most interesting part of the story is what happened after the victory. The men in the photoâ€"three were killed during the battleâ€"were proclaimed heroes and flown home, to become reluctant symbols. For two of them, the adulation was shattering. Only James Bradley’s father truly survived, displaying no copy of the famous photograph in his home, telling his son only: “The real heroes of Iwo Jima were the guys who didn’t come back.”

Few books ever have captured the complexity and furor of war and its aftermath as well as Flags of Our Fathers. A penetrating, epic look at a generation at war, this i! s history told with keen insight, enormous honesty, and the pa! ssion of a son paying homage to his father. It is the story of the difference between truth and myth, the meaning of being a hero, and the essence of the human experience of war.The Battle of Iwo Jima, fought in the winter of 1945 on a rocky island south of Japan, brought a ferocious slice of hell to earth: in a month's time, more than 22,000 Japanese soldiers would die defending a patch of ground a third the size of Manhattan, while nearly 26,000 Americans fell taking it from them. The battle was a turning point in the war in the Pacific, and it produced one of World War II's enduring images: a photograph of six soldiers raising an American flag on the flank of Mount Suribachi, the island's commanding high point.

One of those young Americans was John Bradley, a Navy corpsman who a few days before had braved enemy mortar and machine-gun fire to administer first aid to a wounded Marine and then drag him to safety. For this act of heroism Bradley would receive the Navy C! ross, an award second only to the Medal of Honor.

Bradley, who died in 1994, never mentioned his feat to his family. Only after his death did Bradley's son James begin to piece together the facts of his father's heroism, which was but one of countless acts of sacrifice made by the young men who fought at Iwo Jima. Flags of Our Fathers recounts the sometimes tragic life stories of the six men who raised the flag that February day--one an Arizona Indian who would die following an alcohol-soaked brawl, another a Kentucky hillbilly, still another a Pennsylvania steel-mill worker--and who became reluctant heroes in the bargain. A strongly felt and well-written entry in a spate of recent books on World War II, Flags gives a you-are-there depiction of that conflict's horrible arenas--and a moving homage to the men whom fate brought there. --Gregory McNameeFrom Academy Award-winning director Clint Eastwood (Million Dollar Baby, Unforgiven! ) comes the World Was II epic Flags of Our Fathers, pro! duced by Eastwood, Academy Award winner Steven Spielberg (Saving Private Ryan, Schindler’s List), and Rob Lorenz (Mystic River), and from a screenplay adapted by William Broyles, Jr. (Cast Away) and Oscar winner Paul Haggis (Million Dollar Baby, Crash).
February 1945. Even as victory in Europe was finally within reach, the war in the Pacific raged on. One of the most crucial and bloodiest battles of the war was the struggle for the island of Iwo Jima, which culminated with what would become one of the most iconic images in history: five Marines and a Navy corpsman raising the American flag on Mount Suribachi. The inspiring photo capturing that moment became a symbol of victory to a nation that had grown weary of war and made instant heroes of the six American soldiers at the base of the flag, some of whom would die soon after, never knowing that they had been immortalized. But the surviving flag raisers had no interest in being held up as symbols an! d did not consider themselves heroes; they wanted only to stay on the front with their brothers in arms who were fighting and dying without fanfare or glory.
Flags of Our Fathers is based on the bestselling book by James Bradley with Ron Powers, which chronicled the battle of Iwo Jima and the fates of the flag raisers and some of their brothers in Easy Company. Bradley’s father, John "Doc" Bradley, was one of the soldiers pictured raising the flag, although James never knew the full extent of his father’s experiences until after the elder Bradley’s death in 1994.
Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was ! abandoned when Eastwood signed on to direct), this isn't so mu! ch a con ventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities â€" and resentful pawns in a wartime publicity campaign â€" after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed stud! y of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers
Other World War II DVDs
Essential DVDs by Director Clint Eastwood
Flags of Our Fathers by James Bradley

Stills from Flags of Our Fathers (click for larger image)

In this unforgettable chronicle of perhaps the most famous moment in American military history, James Bradley has captured the glory, the triumph, the heartbreak, and the legacy of the six men who raised the flag at Iwo Jima. Here is the true story behind the immortal ! photograph that has come to symbolize the courage and indomita! ble will of America.

In February 1945, American Marines plunged into the surf at Iwo Jimaâ€"and into history. Through a hail of machine-gun and mortar fire that left the beaches strewn with comrades, they battled to the island's highest peak. And after climbing through a landscape of hell itself, they raised a flag.

Now the son of one of the flagraisers has written a powerful account of six very different young men who came together in a moment that will live forever.

To his family, John Bradley never spoke of the photograph or the war. But after his death at age seventy, his family discovered closed boxes of letters and photos. In Flags of Our Fathers, James Bradley draws on those documents to retrace the lives of his father and the men of Easy Company. Following these men's paths to Iwo Jima, James Bradley has written a classic story of the heroic battle for the Pacific's most crucial islandâ€"an island riddled with Japanese tunnels and 22,000 fanatic d! efenders who would fight to the last man.

But perhaps the most interesting part of the story is what happened after the victory. The men in the photoâ€"three were killed during the battleâ€"were proclaimed heroes and flown home, to become reluctant symbols. For two of them, the adulation was shattering. Only James Bradley's father truly survived, displaying no copy of the famous photograph in his home, telling his son only: "The real heroes of Iwo Jima were the guys who didn't come back."

Few books ever have captured the complexity and furor of war and its aftermath as well as Flags of Our Fathers. A penetrating, epic look at a generation at war, this is history told with keen insight, enormous honesty, and the passion of a son paying homage to his father. It is the story of the difference between truth and myth, the meaning of being a hero, and the essence of the human experience of war.


From the Hardcover edition.In the winter of 194! 5, on the tiny island of Iwo Jima, a ferocious, epic battle wa! s fought , resulting in the loss of more than 48,000 lives and producing what was to become one of the most recognizable symbols of World War II: a photograph of six soldiers raising an American flag on the peak of Mount Suribachi. One of the six, Navy corpsman John Bradley, came away from this historical moment with a deep and mysterious silence about his role in the flag raising. Even his wife heard him speak of it only once in their 47-year marriage. After Bradley's death, his son James began to piece together the facts of his father's heroism, as well as that of the other five men, all of whom became reluctant heroes because of their presence during that fateful instant when the shutter clicked and created a wartime icon.

Based on James Bradley's Flags of Our Fathers for adults, this abridged version for younger readers retains the somewhat terse drama, intense heartbreak, and bittersweet triumph of the original narrative. Through his research on th! e event and the soldiers (three of the men were killed in combat within days of the flag raising), Bradley explores the dubious nature of heroism and the devastating effects of war. (Ages 14 and older) --Emilie CoulterFLAGS OF OUR FATHERS SPECIAL COLLECTO - Blu-Ray MoThematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of vi! ctory on the battle-ravaged Japanese island of Iwo Jima on Feb! ruary 23 rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities â€" and resentful pawns in a wartime publicity campaign â€" after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-ra! isers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers

Other Wor! ld War II DVDs

Essential DVDs by Director Clint Eastwood

Flags of Our Fathers by James Bradley

Stills from Flags of Our Fathers (click for larger image)

Flags of Our Fathers

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Enduring Love: A Novel (Sydney Cove)

• ISBN13: 9780800731786
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

On a windy spring day in the Chilterns, the calm, organized life of science writer Joe Rose is shattered when he witnesses a tragic accident: a hot-air balloon with a boy trapped in its basket is being tossed by the wind, and in the attempt to save the child, a man is killed. A stranger named Jed Parry joins Rose in helping to bring the balloon to safety. But unknown to Rose, something passes between Parry and himself on that day--something that gives birth to an obsession in Parry so powerful that it will test the limits of Rose's beloved rationalism, threaten the love of his wife, Clarissa, and drive him to the brink of murder and madness. Brilliant and compassionate, this is a novel of love, faith, ! and suspense, and of how life can change in an instant.Joe Rose has planned a postcard-perfect afternoon in the English countryside to celebrate his lover's return after six weeks in the States. To complete the picture, there's even a "helium balloon drifting dreamily across the wooded valley." But as Joe and Clarissa watch the balloon touch down, their idyll comes to an abrupt end. The pilot catches his leg in the anchor rope, while the only passenger, a boy, is too scared to jump down. As the wind whips into action, Joe and four other men rush to secure the basket. Mother Nature, however, isn't feeling very maternal. "A mighty fist socked the balloon in two rapid blows, one-two, the second more vicious than the first," and at once the rescuers are airborne. Joe manages to drop to the ground, as do most of his companions, but one man is lifted sky-high, only to fall to his death.

In itself, the accident would change the survivors' lives, filling them w! ith an uneasy combination of shame, happiness, and endless se! lf-repro ach. (In one of the novel's many ironies, the balloon eventually lands safely, the boy unscathed.) But fate has far more unpleasant things in store for Joe. Meeting the eye of fellow rescuer Jed Parry, for example, turns out to be a very bad move. For Jed is instantly obsessed, making the first of many calls to Joe and Clarissa's London flat that very night. Soon he's openly shadowing Joe and writing him endless letters. (One insane epistle begins, "I feel happiness running through me like an electrical current. I close my eyes and see you as you were last night in the rain, across the road from me, with the unspoken love between us as strong as steel cable.") Worst of all, Jed's version of love comes to seem a distortion of Joe's feelings for Clarissa.

Apart from the incessant stalking, it is the conditionals--the contingencies--that most frustrate Joe, a scientific journalist. If only he and Clarissa had gone straight home from the airport... If only th! e wind hadn't picked up... If only he had saved Jed's 29 messages in a single day... Ian McEwan has long been a poet of the arbitrary nightmare, his characters ineluctably swept up in others' fantasies, skidding into deepening violence, and--worst of all--becoming strangers to those who love them. Even his prose itself is a masterful and methodical exercise in defamiliarization. But Enduring Love and its underrated predecessor, Black Dogs, are also meditations on knowledge and perception as well as brilliant manipulations of our own expectations. By the novel's end, you will be surprisingly unafraid of hot-air balloons, but you won't be too keen on looking a stranger in the eye.

Ian McEwan is one of Britain's most inventive and important contemporary writers. Also adapted as a film, his novel Enduring Love (1997) is a tale of obsession that has both troubled and enthralled readers around the world. Renowned author Peter Childs explores th! e intricacies of this haunting novel to offer:

• ! an acces sible introduction to the text and contexts of Enduring Love
• a critical history, surveying the many interpretations of the text from publication to the present
• a selection of new and reprinted critical essays on Enduring Love, by Kiernan Ryan, Sean Matthews, Martin Randall, Paul Edwards, Rhiannon Davies and Peter Childs, providing a range of perspectives on the novel and extending the coverage of key critical approaches identified in the survey section
• cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism
• suggestions for further reading.

Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Enduring Love and seeking not only a guide to the novel, but a way through the wealth of contextual and critical material that surrounds it.

Just when things seem to be looking! up for John and Hannah Bradshaw, their world is turned upside down. Years ago, John was in prison when he was told his first wife, Margaret, died. So how is it that she shows up in Sydney Town looking to pick up where they left off?

Her marriage now null and void, Hannah is distraught. But she and John feel they must separate to allow John's first marriage to continue. But is Margaret hiding something after all? And just what will she do to get what she wants?

This conclusion to the Sydney Cove trilogy will draw readers in with its suspenseful, romantic, and tender narrative.

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The Girl in the Cafe

• He's a shy civil servant (Bill Nighy, Love Actually) working for the British delegation to the 2005 G8 Summit. She's an alluring young woman (Kelly McDonald, Finding Neverland) he meets at a cafe - and invites her to the Summit on a whim. Together, this unlikely couple might just change history.Running Time: 100 min. Format: DVD MOVIE Genre: DRAMA Rating: NR Age: 0263592822

"All readers of any age need instruction and support that helps them become more independent and self-reflective in their work." â€" Gail Boushey and Joan Moser

 

In The CAFE Book, Gail Boushey and Joan Moser present a practical, simple way to integrate assessment into daily reading and classroom discussion. The CAFE system, based on research into the habits of proficient readers, is an acronym for Comprehension, Accuracy, Fluency, and Expanding vocabulary. The system includ! es goal-setting with students in individual conferences, posting of goals on a whole-class board, developing small-group instruction based on clusters of students with similar goals, and targeting whole-class instruction based on emerging student needs.

 

Gail and Joan developed the CAFE system to support teachers as they:

·         organize assessment data so it truly informs instruction;

·         track each child's strengths and goals, thereby maximizing time with him or her;

·         create flexible groups of students, all focused on a specific reading strategy; and

·         help students remember and retrieve the reading strategies they learned.

 

The CAFE system does not require expensive materials, complicated training, or complete changes to current classroom literacy approaches. Rather, it provides a structure for conferring with ! students, a language for talking about reading development, an! d a syst em for tracking growth and fostering student independence. The CAFE system’s built-in flexibility allows teachers to tailor the system to reflect the needs of their students and their state’s standards. And it’s a perfect complement to The Daily Five, “The Sisters” influential first book, which lays out a structure for keeping all students engaged in productive literacy work for every hour of every classroom day.

• Includes nearly 250 recipes plus 150 sub-recipes, more than 100 photographs, and approximately 75 illustrations
• Breaks the café down into its five key components -- the bakery, the pastry shop, the savory kitchen, beverages, and the retail shelf -- with expert advice and contemporary recipes for each area
• Author Francisco Migoya is an assistant professor at The Culinary Institute of America, where he teaches the Café Operations class for the Baking and Pastry Arts program

Wi! th information on all aspects of the café business-finances, human resources, food production, recipe/menu development, and even décor-The Modern Café offers both inspiration and instruction for anyone who wants to operate a successful café.

"The Modern Café is an impressive volume in both breadth and dept h that elevates standard café fare to something worthy of the term cuisine. Francisco Migoya generously shares his years of experience and research, offering a fresh, contemporary approach to casual dining. His technical skill and eye for detail are inspiring, resulting in respectful yet inventive interpretations of the classics. Migoya has given all of us professional cooks, pastry and savory alike, another invaluable resource. " â€"Michael Laiskonis, Executive Pastry Chef, Le Bernardin

 "What a high level of professionalism in a book full of originality and creativity! Francisco Migoya has created a new work with technolog! y, sensitivity, and passionâ€"an invaluable contribution to th! e world of gastronomy. Enjoy it!" â€"Oriol Balaguer, Pastry Chef and Owner, Oriol Balaguer Boutiques

"Francisco Migoya's The Modern Cafe is a beautiful book that will be used as a practical guide and inspiration for professionals and home cooks alike. " â€"Grant Achatz, Chef and Owner, Alinea

 "This book is just amazingâ€"there is so much information, detail, and inspiration. You can really see Francisco's passion for pastry. This is an outstanding follow up to his first book, Frozen Desserts." â€"Patrick Coston, Pastry Chef and Chocolatier

A professional guide to every aspect of the launch and management of a modern, upscale café.

The Modern Café is the first comprehensive, must-have reference for the aspiring restaurateur or café owner who wants to make sure he gets every detail right.

This exquisitely illustrated volume is packed with professional guidance and master recipes for breakfast pastries, arti! sanal sandwiches, truffles and treats, and much more. Additionally, an entire chapter is devoted to the retail shelf, a key contributor to any café's financial health.

Recipe Excerpts from The Modern Cafe

Pan-Fried Baby Artichokes with Lemon Aïoli

Financiers

Elderflower Ganache Pops

Do you love teaching but feel exhausted from the energ! y you expend cajoling, disciplining, and directing students on! a daily basis? If so, you'll want to meet Â"The Sisters”, Gail Boushey and Joan Moser. Based on literacy learning and motivation research, they created a structure called The Daily Five which has been practiced and refined in their own classrooms for ten years, and shared with thousands of teachers throughout the United States. The Daily Five is a series of literacy tasks (reading to self, reading with someone, writing, word work, and listening to reading) which students complete daily while the teacher meets with small groups or confers with individuals.

This book not only explains the philosophy behind the structure, but shows you how to carefully and systematically train your students to participate in each of the five components.

Explicit modeling practice, reflecting and refining take place during the launching phase, preparing the foundation for a year of meaningful content instruction tailored to meet the needs of each child.

The Daily Five is more than! a management system or a curriculum framework; it is a structure that will help students develop the habits that lead to a lifetime of independent literacy.

In Philly's upscale West Side, Philly Grounds is the place to be and meet. Barista Claire, played by JLH, serves up wisdom along woith the coffee and scones. The clientele comes to her with advise on love, life and careers. The place has a dark side also as witnessed when tragedy strikes. Stars Jennifer Love Hewit- Jaime Kennedy- Alexa Vega- and Madeline CarrollEttie Brookbank is the heart and soul of Cook's Basin, a sleepy offshore community comprising a cluster of dazzling blue bays. But for all the idyllic surroundings, Ettie can't help wondering where her dreams have disappeared to. Until fate offers her a lifeline - in the shape of a lopsided little café on the water's edge. When Bertie, its cantankerous septuagenarian owner, offers her 'the Briny' for a knockdown price, it's an opportunity too good to m! iss. But it's a mammoth task - and she'll need a partner. Ente! r Kate J ackson, the enigmatic new resident of the haunted house on Oyster Bay. Kate is also clearly at a crossroads - running from a life in the city that has left her lonely and lost. Could a ramshackle cafe and its endearingly eccentric customers deliver the new start both women so desperately crave? The Briny Cafe by Susan Duncan Sample Chapter(function() { var scribd = document.createElement("script"); scribd.type = "text/javascript"; scribd.async = true; scribd.src = "http://www.scribd.com/javascripts/embed_code/inject.js"; var s = document.getElementsByTagName("script")[0]; s.parentNode.insertBefore(scribd, s); })();Ettie Brookbank is the heart and soul of Cook's Basin, a sleepy offshore community comprising a cluster of dazzling blue bays. But for all the idyllic surroundings, Ettie can't help wondering where her dreams have disappeared to. Until fate offers her a lifeline - in the shape of a lopsided little café on the water's edge. When Bertie, its cantankerous septuagenar! ian owner, offers her 'the Briny' for a knockdown price, it's an opportunity too good to miss. But it's a mammoth task - and she'll need a partner. Enter Kate Jackson, the enigmatic new resident of the haunted house on Oyster Bay. Kate is also clearly at a crossroads - running from a life in the city that has left her lonely and lost. Could a ramshackle cafe and its endearingly eccentric customers deliver the new start both women so desperately crave? The Briny Cafe by Susan Duncan Sample Chapter(function() { var scribd = document.createElement("script"); scribd.type = "text/javascript"; scribd.async = true; scribd.src = "http://www.scribd.com/javascripts/embed_code/inject.js"; var s = document.getElementsByTagName("script")[0]; s.parentNode.insertBefore(scribd, s); })();

Restaurants, bars, and cafés are some of the most competitive businesses in the world. Getting the marketing and branding right is essential for surviv! al. This book provides a catalog of creative ideas for getting! restaur ant graphics right. It offers designers hundreds of inspiring and innovative graphic options for identity, signage, installations, promotions, swag, menus, and more. As with the other books in the 1000 series this book offers designers the ultimate resource to jump-start their creativity for their restaurant industry clients.

The design of coffee shops is increasingly on the move. Where cafs have traditionally been viewed as places principally to enjoy a coffee, they have evolved to show a broad range of multifunctional purposes and amenities: They can, for instance, exist as cozy lunch-time meeting spots before abruptly transforming into vibrant late-night bars after sundown. Caf! Best of Coffee Shop Design shows the wide scope of different caf concepts, including coffee bars as integral parts of cutting-edge multipurpose buildings, flagship stores and traditional shops with a contemporary twist. The 40 projects featured comprise an extensive variety of designs and! styles, ranging from minimalist, strict and reduced, to opulent and extravagant.The French cafe epitomises the French art of living. Through its timeless glass doors float the aromas of strong coffee and black-tobacco, hot milk and fresh croissants. The cafe, open early until late, is both focus and microcosm of society. Friends talk; lovers linger; the white saucers pile up as the world goes by; a lone customer comes in to read the newspapers or for a petit verre at the bar. The French cafe is a refuge, a place to meet, to sit inside or out, somewhere to see and be seen. For anyone interested in French life and culture, here is a an intimate look at a great institution, from the grand establishments dating from the all rural bistro from the workers' local cafes to the legendary Parisian cafes where the poets, painters and philosophers gathered. From Directoire decoration to Starck style, this book reveals the rich variety and extraordinary inventiveness of cafe design. Ma! rie-France Boyer is a freelance journalist, and represents in ! Paris th e magazine "The World of Interiors". Her last book wass "Cabin Fever: Sheds and Shelters, Huts and Hideaways" (1993), also published by Thames and Hudson. Eric Morin is a Paris-based photographer who contributes to many magazines on interior design including "The World of Interiors".A Hollywood actress known for her beauty flees to a secluded mountain cabin in North Carolina after being severely scarred in a car accident. There she finds unexpected love and a new life with a man who lost his family in 9-11.He's a shy civil servant (Bill Nighy, Love Actually) working for the British delegation to the 2005 G8 Summit. She's an alluring young woman (Kelly McDonald, Finding Neverland) he meets at a cafe - and invites her to the Summit on a whim. Together, this unlikely couple might just change history.

DVD Features:
Audio Commentary
Deleted Scenes
Featurette

As a pop star on the comeback trail, Bill Nighy handily stole Love Actual! ly away from his more famous co-stars. In BBC/HBO co-production The Girl in the Café, he takes the lead--and runs with it. Written by Richard Curtis (Notting Hill), the offbeat political-romance concerns Lawrence, a 57-year-old Londoner with a successful governmental career and nonexistent social life. One day he stops in a café and meets the mysterious, considerably younger Gina (Kelly Macdonald, Trainspotting). To their mutual amazement, they hit it off and agree to meet again (and yet again). Then he invites her to accompany him to the G8 Summit in Reykjavík, where she upends his carefully ordered world in ways both wonderful and terrible. Suddenly this "man who has nothing in his life but his work" must find a way to make room for something "tender and true." With Corin Redgrave as the Prime Minister. --Kathleen C. Fennessy

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The Count of Monte Cristo

• Jim Caviezel (High Crimes) and Guy Pearce (The Time Machine) give sizzling performances in The Count Of Monte Cristo - the greatest tale of betrayal, adventure and revenge the world has never known. When the dashing and guileless Edmond Dantes (Caviezel) is betrayed by his best friend (Pearce) and wrongly imprisoned, he becomes consumed by thoughts of vengeance. After a miraculous escape, he trans

This book presents a tale of love and revenge in the post-Napoleonic era. Edmond Dantes, a nineteen-year-old sailor from Marseilles, is soon to be captain of his own ship and to marry his beloved, the beautiful Mercedes. But spiteful enemies provoke his arrest on his wedding day, and he is condemned to life in prison. His sole companion is the 'crazy' priest Faria, who shares with Edmond a secret escape plan, and a map to hidden riches on the island of Monte Cristo. When Faria dies, Edmond attempts ! the incredible escape alone. finally he is free and rich beyond imagination after 14 years in prison. Keeping his true identity a secret, he enters society as Count of Monte Cristo, a polite, refined nobleman determined to reclaim his lost love, and to avenge his accusers. This is a story of suspense, intrigue, love and the triumph of good over evil.Jim Caviezel (HIGH CRIMES) and Guy Pearce (THE TIME MACHINE) give sizzling performances in THE COUNT OF MONTE CRISTO -- the greatest tale of betrayal, adventure, and revenge the world has ever known. When the dashing and guileless Edmond Dantes (Caviezel) is betrayed by his best friend (Pearce) and wrongly imprisoned, he becomes consumed by thoughts of vengeance. After a miraculous escape, he transforms himself into the mysterious and wealthy Count of Monte Cristo, insinuates himself into the French nobility, and puts his cunning plan of revenge in action. This swashbuckling thriller will have you sitting on the edge of your sea! t until the last ounce of revenge is exacted.Revenge rarely ge! ts sweet er than it does in The Count of Monte Cristo, a rousing, impeccably crafted adaptation of Alexandre Dumas père's literary classic. Filmed countless times before, the story is revitalized by director Kevin Reynolds (rallying after Waterworld) and screenwriter Jay Wolpert, who wisely avoid the action-movie anachronisms that plagued 2001's dubious Dumas-inspired The Musketeer. Leading a superior cast, Jim Caviezel (Frequency) expresses a delicate balance of obsession and nobility as Dantes, the wrongly accused Frenchman who endures 13 years of prison and torment, then uses a hidden treasure to finance elaborate vengeance on those who wronged him. Memento's Guy Pearce is equally effective as Dantes's betraying nemesis, and Richard Harris tops his Harry Potter wizardry with a humorous turn as Dantes's fellow prisoner and mentor. Filmed on stunning locations in Ireland and Malta, The Count of Monte Cristo easily matches Rob Roy for intelligent swashbuckling entertainment. --Jeff Shannon

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Home Alone Collection [Blu-ray]

• Condition: New
• Format: Blu-ray
• Color; Widescreen

Eight-year-old Kevin McCallister (Macaulay Culkin) has become the man of the house, overnight! Accidentally left behind when his family rushes off on a Christmas vacation, Kevin gets busy decorating the house for the holidays. But he's not decking the halls with tinsel and holly. Two bumbling burglars are trying to break in, and Kevin's rigging a bewildering battery of booby traps to welcome them!Now and forever a favorite among kids, this 1990 comedy written by John Hughes (The Breakfast Club) and directed by Chris Columbus (Mrs. Doubtfire) ushered Macaulay Culkin onto the screen as a troubled 8-year-old who doesn't comfortably mesh with his large family. He's forced to grow a little after being accidentally left behind when his folks and siblings fly off to Paris. A good-looking boy, Culkin lights up the scree! n during several funny sequences, the most famous of which finds him screaming for joy when he realizes he's unsupervised in his own house. A bit wooden with dialogue, the then-little star's voice could grate on the nerves (especially in long, wise-child passages of pure bromide), but he unquestionably carries the film. Billie Bird and John Candy show up as two of the interesting strangers Culkin's character meets. Joe Pesci and Daniel Stern are entertainingly cartoonish as thieves, but the ensuing violence once the little hero decides to keep them out of his house is over-the-top. --Tom Keogh Eight-year-old Kevin McCallister (Macaulay Culkin) has become the man of the house, overnight! Accidentally left behind when his family rushes off on a Christmas vacation, Kevin gets busy decorating the house for the holidays. But he's not decking the halls with tinsel and holly. Two bumbling burglars are trying to break in, and Kevin's rigging a bewildering battery of booby! traps to welcome them!Now and forever a favorite among kids, ! this 199 0 comedy written by John Hughes (The Breakfast Club) and directed by Chris Columbus (Mrs. Doubtfire) ushered Macaulay Culkin onto the screen as a troubled 8-year-old who doesn't comfortably mesh with his large family. He's forced to grow a little after being accidentally left behind when his folks and siblings fly off to Paris. A good-looking boy, Culkin lights up the screen during several funny sequences, the most famous of which finds him screaming for joy when he realizes he's unsupervised in his own house. A bit wooden with dialogue, the then-little star's voice could grate on the nerves (especially in long, wise-child passages of pure bromide), but he unquestionably carries the film. Billie Bird and John Candy show up as two of the interesting strangers Culkin's character meets. Joe Pesci and Daniel Stern are entertainingly cartoonish as thieves, but the ensuing violence once the little hero decides to keep them out of his house is over-the-top. --Tom K! eogh Home Alone
Home Alone 2: Lost in New York
Home Alone 3
Home Alone 4Kevin McCallister (Macaulay Culkin) is back! But this time he's in New York City with enough cash and credit cards to turn the Big Apple into his own playground! But Kevin won't be alone for long. The notorious Wet Bandits, Harry and Marv (Joe Pesci and Daniel Stern), still smarting from their last encounter with Kevin, are bound for New York too, plotting a huge holiday heist. Kevin's ready to welcome them with a battery of booby traps the bumbling bandits will never forget!This somewhat unpleasant 1992 sequel to the blockbuster Home Alone revisits the first film's gimmick by stranding Macaulay Culkin's character in New York City while his family ends up somewhere else. Again, the little guy meets up with colorful people on the margins of society (including a pigeon woman played by Brenda Fricker) and again he gets into a prop-heavy battle with ! Joe Pesci and Daniel Stern. The latter sequence is even worse ! than the first film in terms of violence inflicted on the two villains (director Chris Columbus, who also made the first film, can't seem to emphasize the slapstick over the graphic effects of the fight). The best running joke finds a concierge (Tim Curry) at the swank hotel where Culkin is staying trying and failing to prove that the boy is on his own. --Tom Keogh Contains Home Alone and Home Alone 2: Lost in New York

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Subaru Impreza Touring Carpeted Custom-Fit Floor Mats - Trunk mat - without water tank in trunk Cargo - Dark Gray (2004 2005 2006 2007 04 05 06 07)

• The number of pieces and the shape of the mats you will received is illustrated in the main image above.
• These are AFTERMARKET carpeted floor mats and are available in 9 basic colors.
• We can not guarantee a color match to your vehicle, but they will compliment your vehicles interior. We'll gladly send carpet samples free of charge to check color match.
• The Touring carpet used to make these mats is a 22oz tufted nylon carpet with rubber nibbed backing, very similar in feel and texture to most factory installed floor mats.
• These mats are custom made meaning they are MADE-TO-ORDER specifically for you. Because of this we highly recommend that you contact us with any questions, regarding the fit or color before purchasing.

No one loses their mind instantly â€" Sanity seeps away one drop at a time. Yoshimi simply wanted a better life â€" for both herself and her da! ughter Ikuko. Unfortunately, such wishes may sometimes be hard to come by. The custody battle has grown embittered and hurtful, her new job is less than desirable, and Ikuko’s schoolwork has taken a turn for the worse. But, Yoshimi has something bigger to worry about. Something upstairs. Something cold and dank. Something that should have never been.Dark Water is Japanese horror auteur Hideo Nakata's return to the genre after his Ring cycle made you too scared to watch television ever again. Where Ringu dealt with a supernatural force wreaking revenge via technology, this film is a much more traditional ghost story. After winning a custody battle for her daughter, single mother Yoshimi moves into what she thinks is the perfect apartment with her daughter Hitomi. No sooner have they unpacked than strange things begin to disturb their new life. A water leak from the supposedly abandoned apartment above gets bigger and bigger, a child's satchel reappears! even though Yoshimi throws it away several times, and she is ! haunted by the image of a child wearing a yellow mackintosh who bears a striking resemblance to a young girl who disappeared several years before. The conventional narrative follows Yoshimi's increasingly desperate attempts to discover who or what force is haunting her daughter, but the story's execution is far from predictable. Nakata is the master of understated suspense: there's always a feeling of motiveless malignancy that runs like an undercurrent through his films--far more frightening than out and out shocks--and here he also practically drowns his audience in water imagery. The film is saturated; the relentless dripping in the apartment, the constant rain outside and the deliberately washed-out photography make any color, such as the yellow coat, seem incongruous and unsettling. Nakata also clears the film of unnecessary characters--this is an almost deserted Tokyo--preferring to concentrate the action on Yoshimi's rising hysteria as she struggles to understand what is happ! ening and how to save her daughter. Granted, the special effects are somewhat unconvincing and the ending confused, but even so the result is a stylish and disquieting chiller that will do for bathtubs what his Ring films did for video recorders. --Kristen Bowditch

On New Year's Day, 2005, David Shaw traveled halfway around the world on a journey that took him to a steep crater in the Kalahari Desert of South Africa, a site known as Bushman's Hole. His destination was nearly 900 feet below the surface.
On January 8th he descended into the water. About fifteen feet below the surface was a fissure in the bottom of the basin, barely wide enough to admit him. He slipped through the opening and disappeared from sight, leaving behind the world of light and life.
Then, a second diver descended through the same crack in the stone. This was Don Shirley, Shaw's friend, and one of the few people in the world qualified to follow where Shaw was about to ! go. In the community of extreme diving, Don Shirley was a mast! er among masters.
Twenty-five minutes later, one of the men was dead. The other was in mortal peril, and would spend the next 10 hours struggling to survive, existing literally from breath to breath.
What happened that day is the stuff of nightmarish drama, but it’s also a compelling human story of friendship, heroism, ambition, and of coming to terms with loss and tragedy.

Stomp® on the Launch Pad and a blast of air propels the Stomp Rocket® over 100 feet in the air! The kit comes with 4 glow in the dark foam rockets.  The Junior is designed for ages 3 and up.

Kids can get rid of some excess energy with this air-powered outdoor rocket toy. No battery or fuel is needed to get the rockets airborne--just some old-fashioned stomping power. Set up the simple launch stand in a clear outdoor area, connect the 38-inch-long vinyl air hose and blast pad, load one of the 9-inch yellow foam rockets--and watch out. Our 5-year-old assistant reviewer really got a! kick out of jumping on the purple blast-off pad and watching her rockets soar 50 feet or more, though she had to fight the adults for a turn. If the three rockets included with the kit aren't enough fun, you can order stomp parachutes and spin copters from the manufacturer. --Marianne PainterMaterial type: carpet
Set details: 1 pc cargo - large
Remarks: Trunk mat - without water tank in trunk

NOTE: This is a DARK GRAY set. To choose a different color, use the color drop down menu above.
All of our products are custom made meaning they are made-to-order specifically for you. Because of this we highly recommend that you contact us with any questions, regarding fit or color before you place your order.

If you're looking for a very nice but affordable carpeted floor mats designed to fit the exact contours of your vehicle, then our custom-fit aftermarket floor mats are the answer. Even though our mats are s! imilar in shape and feel to the mats that come with your car, ! from the factory, our colors may not match your vehicles interior exactly. If not sure what color to choose, we'll be glad to send you some color samples, so you get the best match possible.

Your floor mats are hand crafted and made to order after the sale. We'll use patterns specifically designed to fit your vehicle's exact make, model and year, and will ship your mats from our plant within 1-2 business days, please allow 6-8 business days for your order to arrive.

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Shaun of the Dead

• Zombie Gallery, Uncensored Commmentary, Zomb-o-meter

No description available for this title.
Item Type: DVD Movie
Item Rating: R
Street Date: 10/23/07
Wide Screen: yes
Director Cut: no
Special Edition: no
Language: ENGLISH
Foreign Film: noSubtitles: no
Dubbed: no
Full Frame: no
Re-Release: no
Packaging: SleeveIt doesn't take long for the hilarity of Fido's central idea to kick in: the world is reeling from the Zombie War, and the undead are being contained in two different ways. Some of them are roaming loose in fenced-off wilderness zones. The rest are, thanks to the good people at the ZomCom corporation, docile and domesticated--indeed, available as house servants for the upwardly-mobile. Such is the case with the Robinson family, a suburban clan who seem to ! have stepped straight out of an old episode of Lassie. Little Timmy is happy about the new manservant, whom he promptly dubs "Fido," and Fido himself is fine as long as the mechanical collar around his neck doesn't malfunction (in which case he will revert to being a cannibalistic brain-eating zombie). Fido is played, in a stroke of inspiration, by the Scots comedian Billy Connolly, although you wouldn't be able to recognize him without already knowing he's in the movie. Dylan Baker and especially Carrie-Anne Moss are just right as Timmy's parents, who have accidentally wandered out of a John Cheever novel and into a George Romero world. Director Andrew Currie skillfully gets the 1950s satire and the zombie action right, although there's no way to disguise that this premise is too thin to spread out over feature length. For a while, though, Fido hits a stride--a staggering, vacant-eyed stride. --Robert HortonBOY EATS GIRL - DVD MovieIt is only natural t! o be scared of zombies, and to prevent them from laying waste ! to your home. A more relaxing approach, however, is to be bored and vaguely annoyed by them, or, better still, not to notice them in the first place. This is the premise of Edgar Wright's British comedy, which may be responsible for kicking off a new and specialized genre of slacker horror. Shaun (Simon Pegg) lives a supremely uneventful life, which revolves around his girlfriend (Kate Ashfield), his mother (Penelope Wilton), and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners. The finale, in which the pub turns into an Alamo, is the bloodiest, most orthodox, and least witty part of the movie; far sharper are the early scenes in which Shaun wanders happily to the local store along a battered, zombie-dotted street and pulps his attackers with a cricket bat. The central joke is so snappy and well sustained that you barely catch sight of the ominous vision on offer: a country that alrea! dy feels like death. -Anthony Lane
Copyright © 2006 The New YorkerBritish horror/comedy Shaun of the Dead is a scream in all senses of the word. Brain-hungry zombies shamble through the streets of London, but all unambitious electronics salesman Shaun (Simon Pegg) cares about is his girlfriend Liz (Kate Ashfield), who just dumped him. With the help of his slacker roommate Ed (Nick Frost), Shaun fights his way across town to rescue Liz, but the petty concerns of life keep getting in the way: When they're trying to use vinyl records to decapitate a pair of zombies, Shaun and Ed bicker about which bands deserve preservation--New Order they keep, but Sade becomes a lethal frisbee. Many zombie movies are comedies by accident, but Shaun of the Dead is deliberately and brilliantly funny, while still delivering a few delicious jolts of fear. Also featuring the stealthy comic presence of Bill Nighy (Love Actually) and some familar faces from The O! ffice. --Bret Fetzer

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Hannibal Rising (Unrated Widescreen Edition)

• In Red Dragon we learned who he was. In Silence of the Lambs, we learned how he did it. Now comes the most chilling chapter in the saga of Hannibal Lecter the one that answers the most elusive question of all why? Written by Thomas Harris, the best-selling author of the Hannibal book series, this fascinating and terrifying journey into the making of a monster (Pete Hammond, Maxim), reveals for the

(Horror/Suspense) The terrifying Silence of the Lambs prequel that reveals the history of the infamous Hannibal and how he came to be a cannibalistic murderer.Though Hannibal Rising's Lecter (Gaspard Ulliel) is a pussycat compared to Anthony Hopkins in Silence of the Lambs, this sequel's story of revenge is grizzly enough to satisfy lovers of Thomas Harris's epic tale. After young Hannibal (Aaron Thomas) is forced to watch his little sister, Mischa (Helena Lia Tachovska), devoured by s! tarving soldiers in his homeland Lithuania, Hannibal vows to avenge his sister's death by slaying those who committed not only war crimes against the Lecters, but also against other families during WW II. In detailing Hannibal's revenge plan, the film investigates the psychological implications of witnessing cannibalism to justify Hannibal's insatiable appetite for human flesh. The most interesting aspect of Hannibal Risingâ€"its analytical connections drawn between Hannibal's childhood traumas and his murderous adult obsessionsâ€"is also the film's weak point. The links oversimplify Lecter's complex character. For example, though titillating to see flashbacks of Lecter's sister hacked up and boiled while Lecter visits a Parisian meat market, the reference is too obvious. One learns why he excels in his medical school classes dissecting cadavers, and we're given explicit explanation for why he slices off and eats his victims' cheeks. The story only complicates when H! annibal interacts with his sexy Aunt, Lady Murasaki (Gong Li).! When Mu rasaki educates him in the art of beheading, the viewer sees Hannibal's sword fetish as a manifestation of physical lust. --Trinie Dalton

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