First Knight (Special Edition) [Blu-ray]

• Condition: New
• Format: Blu-ray
• Anamorphic; Color; Dolby; Subtitled; Widescreen

New, in original shrink wrap!1995 had already seen the box-office success of sword-wielding heroes in Rob Roy and Braveheart when along came this glossy revision of the Arthurian legend, in which Lady Guinevere (Julia Ormond) is torn between her love for the noble King Arthur (Sean Connery) and the passionate knight Sir Lancelot (Richard Gere). As the story opens, Guinevere's lands are under attack by the evil knight Malagant (Ben Cross), and she must choose between marriage to Arthur and the security of Camelot, or encouraging the affections of Lancelot, who has heroically rescued her from a potentially lethal attack. Anyone looking for meticulous medieval authenticity won't find it here, but director Jerry Zucker (Ghost) keeps the action moving with exuberant spirit and glorio! us production values. Even if you don't completely believe Richard Gere as a somewhat too-contemporary Lancelot, the performances of Ormond and especially Connery are effortlessly appealing. --Jeff ShannonTogether, Sean Connery, Richard Gere, Julia Ormond (Legends of the Fall, Sabrina) and Jerry Zucker,the director of Ghost, bring you a new vision of King Arthur's Camelot. A vision of breathtaking battles, of heart-pounding courage, of the undeniable love that brought an entire kingdom to its knees... and of the undying passion that made it live forever.1995 had already seen the box-office success of sword-wielding heroes in Rob Roy and Braveheart when along came this glossy revision of the Arthurian legend, in which Lady Guinevere (Julia Ormond) is torn between her love for the noble King Arthur (Sean Connery) and the passionate knight Sir Lancelot (Richard Gere). As the story opens, Guinevere's lands are under attack by the! evil knight Malagant (Ben Cross), and she must choose between! marriag e to Arthur and the security of Camelot, or encouraging the affections of Lancelot, who has heroically rescued her from a potentially lethal attack. Anyone looking for meticulous medieval authenticity won't find it here, but director Jerry Zucker (Ghost) keeps the action moving with exuberant spirit and glorious production values. Even if you don't completely believe Richard Gere as a somewhat too-contemporary Lancelot, the performances of Ormond and especially Connery are effortlessly appealing. --Jeff Shannon

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Mezco Hellboy 2 The Golden Army Series 2 Action Figure Princess Nuala

• Made by Mezco in 2008
• Size: 7 inch
• For ages 8+

HELLBOY II:GOLDEN ARMY - Blu-Ray MovieThe feverish Hellboy II: The Golden Army is a very busy sequel that might have looked unhinged in the hands of a less visionary director than Guillermo del Toro. Ron Perlman returns as Hellboy, aka "Red," the Dark Horse Comics demon-hero with roots in the mythical world but personal ties in the human realm. Still working, as he was in Hellboy, for a secret department of the federal government that deals (as in "Men In Black") with forces of the fantastic, Red and his colleagues take on a royal elf (Luke Goss) determined to smash a longtime truce between mankind and the forces of magic. Meanwhile, Red's relationship with girlfriend Liz (Selma Blair), who can burst into flames at will, is going through a rocky stage observed by Red's fishy friend Abe (Doug Jones), himself struc! k by love in this film. Del Toro brilliantly integrates the ordinary and extraordinary, diving into an extended scene set in a troll market barely hidden behind the façade of typical city streets. He also unleashes a forest monster that devastates an urban neighborhood, but then--interestingly--brings a luminous beauty to the same area as the creature (an "elemental") succumbs to a terrible death. Del Toro's art direction proves masterful, too, in a climactic battle set in a clockworks-like stronghold tucked away in rugged Irish landscape. But it's really the juxtaposition of visual marvels with not-so-unusual relationship issues that gives Hellboy II a certain jaunty appeal hard to find in other superhero movies. --Tom Keogh




Stills from Hellboy II: The Golden Army (Click for larger image)

Genre: Action/Adventure
Rating: PG13
Release Date: 11-NOV-2008
Media Type: DVDThe feverish Hellboy II: The Golden Army is a very busy sequel that might have looked unhinged in the hands of a less visionary director than Guillermo del Toro. Ron Perlman returns as Hellboy, aka "Red," the Dark Horse Comics demon-hero with roots in the mythical world but personal ties in the human realm. Still working, as he was in Hellboy, for a secret department of the federal government that deals (as in "Men In Black") with forces of the fantastic, Red and his colleagues take on a royal elf (Luke Goss) determined to smash a longtime truce between mankind and the forces of magic. Meanwhile, Red's relationship with girlfriend Liz ! (Selma Blair), who can burst into flames at will, is going thr! ough a r ocky stage observed by Red's fishy friend Abe (Doug Jones), himself struck by love in this film. Del Toro brilliantly integrates the ordinary and extraordinary, diving into an extended scene set in a troll market barely hidden behind the façade of typical city streets. He also unleashes a forest monster that devastates an urban neighborhood, but then--interestingly--brings a luminous beauty to the same area as the creature (an "elemental") succumbs to a terrible death. Del Toro's art direction proves masterful, too, in a climactic battle set in a clockworks-like stronghold tucked away in rugged Irish landscape. But it's really the juxtaposition of visual marvels with not-so-unusual relationship issues that gives Hellboy II a certain jaunty appeal hard to find in other superhero movies. --Tom Keogh




Stills from Hellboy II: The Golden Army (Click for larger image)

Studio: Uni Dist Corp. (mca) Release Date: 11/11/2008 Run time: 120 minutes Rating: Pg13 The feverish Hellboy II: The Golden Army is a very busy sequel that might have looked unhinged in the hands of a less visionary director than Guillermo del Toro. Ron Perlman returns as Hellboy, aka "Red," the Dark Horse Comics demon-hero with roots in the mythical world but personal ties in the human realm. Still working, as he was in Hellboy, for a secret department of the federal government that deals (as in "Men In Black") with forces of the fantastic, Red and his colleagues take on a royal elf (Luke Goss) determined to smash a longtime truce between mankind and the forces of magic. Meanwhile, Red's relationship with girlfriend ! Liz (Selma Blair), who can burst into flames at will, is going through a rocky stage observed by Red's fishy friend Abe (Doug Jones), himself struck by love in this film. Del Toro brilliantly integrates the ordinary and extraordinary, diving into an extended scene set in a troll market barely hidden behind the façade of typical city streets. He also unleashes a forest monster that devastates an urban neighborhood, but then--interestingly--brings a luminous beauty to the same area as the creature (an "elemental") succumbs to a terrible death. Del Toro's art direction proves masterful, too, in a climactic battle set in a clockworks-like stronghold tucked away in rugged Irish landscape. But it's really the juxtaposition of visual marvels with not-so-unusual relationship issues that gives Hellboy II a certain jaunty appeal hard to find in other superhero movies. --Tom Keogh




Stills from Hellboy II: The Golden Army (Click for larger image)

Studio: Uni Dist Corp. (mca) Release Date: 01/27/2009 Rating: Pg13 The feverish Hellboy II: The Golden Army is a very busy sequel that might have looked unhinged in the hands of a less visionary director than Guillermo del Toro. Ron Perlman returns as Hellboy, aka "Red," the Dark Horse Comics demon-hero with roots in the mythical world but personal ties in the human realm. Still working, as he was in Hellboy, for a secret department of the federal government that deals (as in "Men In Black") with forces of the fantastic, Red and his colleagues take on a royal elf (Luke Goss) determined to smash a longtime truce between mankind and the forces of m! agic. Meanwhile, Red's relationship with girlfriend Liz (Selma! Blair), who can burst into flames at will, is going through a rocky stage observed by Red's fishy friend Abe (Doug Jones), himself struck by love in this film. Del Toro brilliantly integrates the ordinary and extraordinary, diving into an extended scene set in a troll market barely hidden behind the façade of typical city streets. He also unleashes a forest monster that devastates an urban neighborhood, but then--interestingly--brings a luminous beauty to the same area as the creature (an "elemental") succumbs to a terrible death. Del Toro's art direction proves masterful, too, in a climactic battle set in a clockworks-like stronghold tucked away in rugged Irish landscape. But it's really the juxtaposition of visual marvels with not-so-unusual relationship issues that gives Hellboy II a certain jaunty appeal hard to find in other superhero movies. --Tom Keogh




Stills from Hellboy II: The Golden Army (Click for larg! er image)

After an ancient truce existing between humankind and the invisible realm of the fantastic is broken, hell on Earth is ready to erupt. A ruthless leader who treads the world above and the one below defies his bloodline and awakens an unstoppable army of creatures. Now, it's up to the planet's toughest, roughest superhero to battle the merciless dictator and his marauders. He may be red. He may be horned. He may be misunderstood. But when you need the job done right, it's time to call Hellboy. Along with his expanding team in the Bureau for Paranormal Research and Defense - pyrotechnic girlfriend Liz Sherman, aquatic empathy Abe Sapien, and protoplasmic mystic Johann - the BPRD w! ill travel between the surface strata and the unseen magical one, where creatures of fantasy become corporeal. And Hellboy, a creature of two worlds who's accepted by neither, must choose between the life he knows and an unknown destiny that beckons him.Princess Nuala includes map cylinder, a book, and a piece of the elf king?ÇÖs legendary Crown of Bathmora. Mezco produced this line of action figures based on the hit film ""Hellboy II: The Golden Army"" starring Ron Perlman. Each figure is 8 inches in scale and is an incredible sculpt and likeness of the character. Collect them all, each sold separately.

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Gothika [Blu-ray]

• A brilliant and respected criminal psychologist, Dr. Miranda Grey (Halle Berry) is an expert at knowing what is rational. Under the direction of her husband (Charles S. Dutton), Miranda treats dangerously disturbed patients at the Woodward Penitentiary for Women. But Miranda's life is thrust into terrifying jeopardy after a cryptic encounter with a mysterious young girl leads to a nightmare beyond

A brilliant and respected criminal psychologist, Dr. Miranda Grey (Halle Berry) is an expert at knowing what is rational. Under the direction of her husband (Charles S. Dutton), Miranda treats dangerously disturbed patients at the Woodward Penitentiary for Women. But Miranda's life is thrust into terrifying jeopardy after a cryptic encounter with a mysterious young girl leads to a nightmare beyond her wildest imagination.

DVD Features:
Audio Commentary
Music Video:Fred D! urst music video - "Behind Blue Eyes"
Theatrical Trailer:Fred Durst music video - "Behind Blue Eyes"

The title of Gothika prepares you for a spooky, atmospheric thriller with an emphasis on supernatural mystery. The best way to appreciate the movie itself is to understand that it's a waking nightmare that needn't make sense in the realm of sanity. Making a flashy Hollywood debut after his superior 2000 thriller Crimson Rivers, French actor-director Mathieu Kassovitz pours on the dark and stormy atmosphere, trapping a competent psychologist (Halle Berry) in the prison ward where she treated inmates (including Penelope Cruz) until she was committed for killing her husband (Charles S. Dutton), who was also her boss. Did a car crash cause her to suffer ghostly delusions, or is a young girl--dead for four years--sending clues from beyond the grave? Berry has to prove her innocence while Kassovitz keeps everything--including the viewer and costar Ro! bert Downey Jr. (as Berry's colleague)--in the dark about just! where t he nonsensical plot is leading. There's a better movie in here somewhere, among the catwalks and crannies of the impressive prison-castle setting, and Berry gives 100% in a performance that's consistent with the movie's overwrought tone. Attentive viewers will identify the killer early on, and the ending is anticlimactic, but Gothika serves up a few good shocks for ghost-story connoisseurs. --Jeff ShannonA brilliant and respected criminal psychologist, Dr. Miranda Grey (Halle Berry) is an expert at knowing what is rational. Under the direction of her husband (Charles S. Dutton), Miranda treats dangerously disturbed patients at the Woodward Penitentiary for Women. But Miranda's life is thrust into terrifying jeopardy after a cryptic encounter with a mysterious young girl leads to a nightmare beyond her wildest imagination.The title of Gothika prepares you for a spooky, atmospheric thriller with an emphasis on supernatural mystery. The best way to apprecia! te the movie itself is to understand that it's a waking nightmare that needn't make sense in the realm of sanity. Making a flashy Hollywood debut after his superior 2000 thriller Crimson Rivers, French actor-director Mathieu Kassovitz pours on the dark and stormy atmosphere, trapping a competent psychologist (Halle Berry) in the prison ward where she treated inmates (including Penelope Cruz) until she was committed for killing her husband (Charles S. Dutton), who was also her boss. Did a car crash cause her to suffer ghostly delusions, or is a young girl--dead for four years--sending clues from beyond the grave? Berry has to prove her innocence while Kassovitz keeps everything--including the viewer and costar Robert Downey Jr. (as Berry's colleague)--in the dark about just where the nonsensical plot is leading. There's a better movie in here somewhere, among the catwalks and crannies of the impressive prison-castle setting, and Berry gives 100% in a performance that'! s consistent with the movie's overwrought tone. Attentive view! ers will identify the killer early on, and the ending is anticlimactic, but Gothika serves up a few good shocks for ghost-story connoisseurs. --Jeff Shannon

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Dorian Gray

• DORIAN GRAY (DVD MOVIE)

This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense ! of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."This book was converted from its physical edition to the digital format by a community ! of volunteers. You may find it for free on the web. Purchase o! f the Ki ndle edition includes wireless delivery.Dorian Gray, a handsome young man, receives a beautiful painting of himself from his good friend Basil Hallward. In the same moment, a new acquaintance, Lord Henry, introduces Dorian to the ideals of youthfulness and hedonism, of which Gray becomes immediately obsessed. Meanwhile, the painting in Dorian's possession serves as a constant reminder of his passing beauty and youth, driving his obsession.A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surrou! ndings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as wel! l as all renunciation, brings its own punishment."Forever you! ng. Fore ver cursed. Based on the acclaimed novel by Oscar Wilde. Upon arriving in London, the young and powerful Dorian Gray (Ben Barnes) becomes drawn into a world of debauchery and decadence by Lord Henry Wotton (Colin Firth). Desperate to preserve the beauty captured in his exquisite portrait, Dorian trades his soul for eternal youth â€" leading him down a path of wickedness and murder in order to protect his horrifying secret.

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Hoot

• ISBN13: 9780440419396
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

A book for young readers. It involves new kids, bullies, alligators, eco-warriors, pancakes, and pint-sized owls. A hilarious
Floridian adventure!Roy Eberhardt is the new kid--again. This time around it's Trace Middle School in humid Coconut Grove, Florida. But it's still the same old routine: table by himself at lunch, no real friends, and thick-headed bullies like Dana Matherson pushing him around. But if it wasn't for Dana Matherson mashing his face against the school bus window that one day, he might never have seen the tow-headed running boy. And if he had never seen the running boy, he might never have met tall, tough, bully-beating Beatrice. And if he had never met Beatrice, he! might never have discovered the burrowing owls living in the lot on the corner of East Oriole Avenue. And if he had never discovered the owls, he probably would have missed out on the adventure of a lifetime. Apparently, bullies do serve a greater purpose in the scope of the universe. Because if it wasn't for Dana Matherson...

In his first novel for a younger audience, Carl Hiaasen (Basket Case, etc.) plunges readers right into the middle of an ecological mystery, made up of endangered miniature owls, the Mother Paula's All-American Pancake House scheduled to be built over their burrows, and the owls' unlikely allies--three middle school kids determined to beat the screwed-up adult system. Hiaasen's tongue is firmly in cheek as he successfully cuts his slapstick sense of humor down to kid-size. Sure to be a hoot, er, hit with middle school mystery fans. (Ages 10 to 15) --Jennifer Hubert

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Alien Autopsy

• ALIEN AUTOPSY (DVD MOVIE)

In 1995, mysterious top-secret black-and-white footage, supposedly filmed during the 1947 Roswell incident, was broadcast around the world. It showed the autopsy of an alien lifeform. The men responsible for the discovery of the footage, buddies Ray (Declan Donnelly) and Gary (Ant McPartlin), are thrown into intense media scrutiny. But the guys have an even bigger secret. And it’s not very pretty. Based on true events, Alien Autopsy is the alternately bizarre and frequently quirky story of the two unlikely lads from London who become icons in UFOlogy with a discovery that stunned millions who’ve long searched for evidence of extraterrestrial life. Bill Pullman (Spaceballs, Independence Day) and Harry Dean Stanton (Alien) join a cast of intriguing characters in the tale of the mystery that, in one sense at least, was truly out of this world.Alien Autopsy ! is one of the weirdest, most unnerving, and most hilarious small films in recent memory. It's a feature film that relates the story of the real-life blokes behind a controversial 1990s film that purported to show "hidden, government-censored footage" of an alien autopsy performed in Roswell, New Mexico, in 1947. (This feature film should not be confused with the quasi-documentary Alien Autopsy: Fact or Fiction?, which showed brief clips from the controversial film and which aired on American TV in the '90s.) This Alien Autopsy reenacts the scenario behind the original, and dubious, footage--a reenactment of a reenactment. In 1995 two Britons, Ray Santilli (Declan Donnelly) and Gary Shoefield (Ant McPartlin), claim they have possession of secret US government-shot film showing an autopsy conducted on an alien, handed to them by "an inside party." Alien Autopsy tells how Santilli and Shoefield get the interest of a fairly reputable film company and docume! ntary filmmaker (a world-weary, grizzled Bill Pullman), and ga! ther fin ancing to put together this shocking blockbuster. The only problem is, the original film is of terrible, unviewable quality. And then the fun begins. Santilli and Shoefield are completely unfazed and set about re-creating what they insist was on the film--with such zeal and abandon that it recalls Johnny Depp's performance as the schlock-meister title character in Tim Burton's delightful Ed Wood. The two are on a mission, and nothing will stop them. Donnelly and McPartlin have an easy, off-kilter chemistry because of their appearances on British TV. But even people who know them as "Ant and Dec" will appreciate their excellent performances in Alien Autopsy. (Accolades are also due Harry Dean Stanton, riveting in a pivotal supporting role.) Alien Autopsy is surprisingly suspenseful, and while viewers sometimes can't believe their eyes, they never want to stop watching. Alien Autopsy also includes some striking anachronisms--like Santilli's showing ! a skeptical film executive a Google search of his name, with more than 3 million hits. (Google wasn't started until 1998.) Touches like this give Alien Autopsy even more cheeky charm. The DVD comes with an excellent feature on the true back-story of Santilli and the footage, and how the filmmakers approached their task; deleted scenes and outtakes; and an engaging commentary by director Jonny Campbell. The truth may still be out there, but Alien Autopsy, in its own small way, seeks to shed light on one small mystery of the 1990s. --A.T. Hurley

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Formula 51 : Widescreen Edition

• Widescreen

THIS IS THE STORY OF ELMO MCELROY, A STREETWISE AMERICAN MASTER CHEMIST, WHO HEADS TO ENGLAND TO SET UP HIS LAST BIG DEAL - TOINTRODUCE A NEW DESIGNER DRUG TO THE EURPOEAN MARKET.MCELROYSOON BECOMES EMBROILED IN A WAR OF DOUBLE-DEALING AS HE'S ESCORTED AROUND LIVERPOOL'S UNDERWORLD.Wildly entertaining but riddled with as many plot holes as bullets, Formula 51 (a.k.a. The 51st State) is a love-it-or-hate-it action comedy that plays like Tarantino on the Thames. It's a raucous hash, highlighted by the sheer pleasure of Samuel L. Jackson--in a kilt, no less--strutting his stuff among denizens of the British underworld. As freelance chemist Elmo McElroy (whose tartan attire remains glibly unexplained), Jackson is perfectly teamed with The Full Monty's Robert Carlyle in a scam involving Elmo's latest pharmaceutical concoction, which promises to yield a fortune on th! e rave scene. This attracts a loopy British kingpin (the outrageous Rhys Ifans), Elmo's vengeful ex-boss (Meat Loaf), a corrupt cop (Sean Pertwee), and a lovely assassin (Emily Mortimer) with a soft spot for Carlyle. They're all given generous helpings of Stel Pavlou's profanely zesty dialogue, and director Ronny Yu strikes a breezy balance between rampant hilarity and blood-splattering violence. If that's your cup of tea, Formula 51 guarantees a satisfying buzz. --Jeff ShannonWildly entertaining but riddled with as many plot holes as bullets, Formula 51 (a.k.a. The 51st State) is a love-it-or-hate-it action comedy that plays like Tarantino on the Thames. It's a raucous hash, highlighted by the sheer pleasure of Samuel L. Jackson--in a kilt, no less--strutting his stuff among denizens of the British underworld. As freelance chemist Elmo McElroy (whose tartan attire remains glibly unexplained), Jackson is perfectly teamed with The Full Monty's Robert Carlyle in a scam involving Elmo's latest pharmaceu! tical co ncoction, which promises to yield a fortune on the rave scene. This attracts a loopy British kingpin (the outrageous Rhys Ifans), Elmo's vengeful ex-boss (Meat Loaf), a corrupt cop (Sean Pertwee), and a lovely assassin (Emily Mortimer) with a soft spot for Carlyle. They're all given generous helpings of Stel Pavlou's profanely zesty dialogue, and director Ronny Yu strikes a breezy balance between rampant hilarity and blood-splattering violence. If that's your cup of tea, Formula 51 guarantees a satisfying buzz. --Jeff ShannonFORMULA 51: THIS IS THE STORY OF ELMO MCELROY, A STREETWISE AMERICAN MASTER CHEMIST, WHO HEADS TO ENGLAND TO SET UP HIS LAST BIG DEAL - TOINTRODUCE A NEW DESIGNER DRUG TO THE EURPOEAN MARKET.MCELROYSOON BECOMES EMBROILED IN A WAR OF DOUBLE-DEALING AS HE'S ESCORTED AROUND LIVERPOOL'S UNDERWORLD. *** - **** S.W.A.T: An arrested drug kingpin is transported by a Los Angeles Police Department S.W.A.T. team, led by Jackson's character, out of the city and into federal custody. Plans go awry when the kingpin offers $100 million to anyone who can free him. Starring: Samuel L. Jackson, Colin Farrell, Michelle Rodriguez, LL Cool J, Oliver Martinez.Wildly entertaining but riddled with as many plot holes as bullets, Formula 51 (a.k.a. The 51st State) is a love-it-or-hate-it action comedy that plays like Tarantino on the Thames. It's a raucous hash, highlighted by the sheer pleasure of Samuel L. Jackson--in a kilt, no less--strutting his stuff among denizens of the British underworld. As freelance chemist Elmo McElroy (whose tartan attire remains glibly unexplained), Jackson is perfectly teamed with The Full Monty's Robert Carlyle in a scam involving Elmo's latest pharmaceutical concoction, which promises to yield a fortune on the rave scene. This attracts a loopy Bri! tish kingpin (the outrageous Rhys Ifans), Elmo's vengeful ex-boss (Meat Loaf), a corrupt cop (Sean Pertwee), and a lovely assassin (Emily Mortimer) with a soft spot for Carlyle. They're all given generous helpings of Stel Pavlou's profanely zesty dialogue, and director Ronny Yu strikes a breezy balance between rampant hilarity and blood-splattering violence. If that's your cup of tea, Formula 51 guarantees a satisfying buzz. --Jeff Shannondvd

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Deliver Us from Evil

• ISBN13: 9780446564076
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From David Baldacci-the #1 bestselling author of The Whole Truth and First Family-comes his most timely, surprising, and heart-stopping thriller, DELIVER US FROM EVIL.


Evan Waller is a monster . . .

He has built a fortune from his willingness to buy and sell anything . . . and anyone. In search of new opportunities, Waller has just begun a new business venture: one that could lead to millions of deaths all over the globe. On his trail is Shaw, the mysterious operative from The Whole Truth, who has tracked Waller to Provence and must prevent him from closing his latest deal. But someone else is pursuing Waller: Reggie Campion, an! agent for a secret vigilante group headquartered in a musty old English estate-and she has an agenda of her own.

Hunting the same man and unaware of each other's mission, Shaw and Reggie will be caught in a deadly duel of nerves and wits. Hitchcockian in its intimate buildup of suspense and filled with the remarkable characters, breathtaking plot turns, and blockbuster finale that are David Baldacci's hallmarks, DELIVER US FROM EVIL is one of the most gripping thrillers of the year.

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